An artistic French Art Nouveau mimosa vase by Daum featuring pink cameo overlay naturalistically modeled as a languid orchid. The influences of Japanese culture permeated fin de siècle Paris and could be felt in museums and in homes. Similarly, a nascent fascination with natural forms, found in publications of the day like Ernst Haeckle''s Kunstformen der Natur, manifested itself in a proliferation of flowers in French art and design and in an intense investigation of flora where artists rivaled botanists. This piece borders on abstraction. The orchid, splayed open and surrounded by copious pollen spores, is imbued with feminine sensuality. The imaginative color palate and curving lines surpass the glass design standards of the day and render this piece a beguiling objet d''art.
A French Art Nouveau clear glass vase with green cameo overlay in a squash blossom motif by Daum. The vase has deep green leaves, buds, flowers and a squash suspended from sinuous vines. A vase with similar decoration is pictured in: "Daum: Collection du muse des Beaux-Arts de Nancy," Paris: Réunion des musées nationaux, 2000, cat. no. 224.
A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring green leaves and orange berries against a dark orange and mottled light green ground. A vase with similar decoration is pictured in: "Daum" by Clotilde Bacri, Noël Daum and Claude Pétry, Paris: Michel Aveline Éditeur, 1992, p. 95.
"La Femme Couchée", A French Art Nouveau glass pâte-de-verre paperweight (press-papiers) designed by A. Finot and executed by Amalric Walter, cast in the form of a female nude with light brown hair reclining on a bed of leaves colored in various tones of yellowish/orange and green. A similar piece, entitled Femme couchée, is pictured in: La pâte de verre, by Nöel Daum, Paris: Edition Denöel, 1984, page 105, plate 129.
A French wheel carved cameo glass vase by Daum. The creation of this vase combined the technique of hammering for the foot and wheel carving for the flower decorations. The background is made of opalescent glass, with green and orange flowers standing against it. The hammered foot is in a darker orange/red color.
A French wheel carved cameo and martelé glass "Crocus" vase by Daum. This Daum vase has gray cameo glass. It is decorated with stems and leaves ascending from the bulbous foot leading to padded and wheel-carved crocus flowers. The crocus flowers are arranged in a variation of purple and orange over white. The overall decoration is set against a background of mottled blue, shading to yellow and lavender. A similar vase is pictured in: "Daum Frères: Maîtres Verriers, 1892-1935," by Katharina Büttiker-Weber, Zurich: Galerie Katharina Büttiker, 1986, cat. no. 73.
A French ''Grande berce des prés'' cameo glass vase by Daum. The vase is a progression from green hammered glass on the top to a clearer glass with shades of pink and finally back to the hammering technique on the foot. It is decorated with flowers and leaves on long stems.
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