View by page         View All
Search Results for

"ceramic"

Related Articles

French Art Nouveau Bisque Ceramic Sculpture by Leonard and Sevres titled "Danseuse Tambourin à Droite"

A French Art Nouveau bisque ceramic figural sculpture by Agathon Léonard, titled "La danse du tambourin, tete penchée à droite" ("Tambourine dance, head leaning to the right"), from the series "Le jeu d''écharpe." Le jeu d''écharpe, created by Agathon Léonard at the turn of the 20th century, consists of 15 sculptures of young women in various poses. Some women dance with scarves; others hold musical instruments or carry flaming torches. Each of the 15 dancers is unique in terms of her pose, hair style and dress. Their dresses exhibit fluid drapery with flowing sleeves. The series was produced in both bronze and ceramic. Le jeu d''écharpe was inspired by the dancer Loïe Fuller. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 186; and in: Agathon Léonard: Le geste Art Nouveau, by Ingelore Böstge, Paris: Somogy editions d''art, 2003, p. 52, cat. no. 14.

French Art Nouveau Bisque Ceramic Sculpture by Leonard and Sevres titled 'Danseuse Tambourin à Droite'

French Art Nouveau Round Ceramic Decorative Charger by Clément Massier

A French Art Nouveau iridescent enamel-glazed ceramic charger by Clément Massier, after a design by Alphonse Mucha, depicting a woman''s profile in Byzantine dress and jewels. The particularity of this ceramic plate is that it combines Massier''s talent as a ceramist and Mucha''s talent as a draftsman. Indeed, the blond Byzantine head depicted on the charger was originally designed by Mucha in 1897, as part of his artistic diptych "Byzantine Heads."

French Art Nouveau Round Ceramic Decorative Charger  by Clément Massier

French Art Nouveau Ceramic Covered Jar by Rupert Carabin

A French Art Nouveau ceramic covered jar by Rupert Carabin, depicting a female nude wrapped around a gourd form, with a deep green glaze. All of Carabin''s ceramic work was done by his own hand. This piece was made by Moulines, 20, rue Laffite. Pictured in: "L''oeuvre de Rupert Carabin 1862.1932," by Colette Merklen, page 228 and in "Dynamic Beauty: Sculpture of Art Nouveau Paris," by Macklowe Gallery, The Studley Press, 2011, p. 81.

French Art Nouveau Ceramic Covered Jar by Rupert Carabin

Petite Coupe Sur in Enamel and Gold by Thesmar

Petite coupe sur talon in enamel and 18 karat gold by André Fernand Thesmar (1843–1912). In original box. André Fernand Thesmar (1843-1912) was a French enameler. He is credited with bringing the soft-paste porcelain back into style, alongside sections with gold foil backings, in the 20th century. He also used the method of plique-à-jour, including works that were often inspired by Japanese and Chinese enameling. He showed his work at the 1900 Paris Exposition Universelle. The floral motifs that adorn this petite coupe sur talon by André Thesmar appear to float due to the expert use of plique-à-jour, a type of enamel that has no backing so that light can shine through it like leaded glass. Thesmar''s ability to create such an exceptional piece in gold and enamel shows a combination of artistry and technical genius that is very rare to come by. A similar coupe sur talon is in the collection of the Metropolitan Museum of Art, New York.

Petite Coupe Sur in Enamel and Gold by Thesmar

French Art Nouveau Ceramic Urn by Majorelle & Mougin

A French Art Nouveau ceramic urn designed by Louis Majorelle and produced by Mougin, featuring swirls of blue on a beige and ash-colored ground, with a snail at at the base. Similar piece pictured in: "Les Frères Mougin, sorciers du grand feu: gres et porcelaine 1898-1950" by Jacques G. Peiffer, p. 157.

French Art Nouveau Ceramic Urn by Majorelle & Mougin

French Art Nouveau Ceramic Vide-Poche by Bussière

A French Art Nouveau ceramic vide-poche designed by Ernest Bussière and produced by Keller et Guérin, consisting of two interlocking conch shell dishes with delicate pink, cream and green glazes.

French Art Nouveau Ceramic Vide-Poche by Bussière

French Art Nouveau Ceramic Vase by de Feure

A French Art Nouveau porcelain vase by Georges de Feure, featuring a blue and pink floral decoration on a glazed cream-white ground. Made for La Maison Art Nouveau Bing. Similar vase in the collection of the Musée des Arts Décoratifs. Similar vases pictured in: "Art Nouveau Bing: Paris Style 1900" by Gabriel Weisberg, p. 204, pl. 198.

French Art Nouveau Ceramic Vase by de Feure

French Art Nouveau Ceramic "Gourd" Vase by Ernest Bussière

A French Art Nouveau ceramic "Gourd" vase designed by Ernest Bussière and produced by Keller et Guérin, featuring stylized high-relief berries on the gourd form, with green and purple enameled glazes. This vase was shown at the Exposition de l''Ecole de Nancy in Paris in 1903 (see "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p.261).

French Art Nouveau Ceramic 'Gourd' Vase by Ernest Bussière

French Art Nouveau Ceramic Vase by Bussière

A French Art Nouveau vase designed by Ernest Bussière and produced by Keller et Guérin, depicting two lizards in high relief wrapped around the rim. The vase features iridescent milky-green and mauve glazes with iridescent highlights. A similar vase was shown at the Exposition de l''Ecole de Nancy in Paris in 1903 (see "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p.260).

French Art Nouveau Ceramic Vase by Bussière

French Art Nouveau Ceramic Vase by Bussière

A French Art Nouveau vase by Keller and Guérin, from a design by Ernest Bussière, featuring the form of a closed flower in relief, with iridescent milky-green and mauve glazes. A similar vase was shown at the Exposition de l''Ecole de Nancy in Paris in 1903 (see "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p. 260).

 French Art Nouveau Ceramic Vase by Bussière

French Art Nouveau Ceramic Tray by Lachenal

A French Art Nouveau ceramic tray by Edmond Lachenal, featuring a decoration of three frogs hanging on to the sides of a lily pad, in light brown and green glazes. A similar tray is pictured in: "Edmond Lachenal and His Legacy," by Martin Eidelberg and Claire Cass, New York: Jason Jacques Gallery Press, 2007, p. 100, cat. no. 22.

French Art Nouveau Ceramic Tray by Lachenal

French Art Nouveau "Ombellifère" Ceramic Vase by Bussière

A French Art Nouveau iridescent glazed ceramic "Ombellifère" vase designed by Ernest Bussière and produced by Keller et Guérin, depicting ombelle blossoms in low relief, with six flowers whose stems extend away from the body of the vase to form delicate handles. A similar vase was shown at the Exposition de l''Ecole de Nancy in Paris in 1903 (see "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p.260).

French Art Nouveau 'Ombellifère' Ceramic Vase by Bussière

French Art Nouveau Ceramic Vase by Lachenal

A French Art Nouveau ceramic vase by Edmond Lachenal, featuring a stylistic depiction of leaves and vines with intricate piercing and carving in a graduated light green to green glaze. A similar vase is pictured in: "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass" by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p. 266 (Grès vase, from La Société Nationale des Beaux-Arts, 1898); and in: "Edmond Lachenal and His Legacy," by Martin Eidelberg and Claire Cass, New York: Jason Jacques Gallery Press, 2007, p. 81, cat. no. 12.

French Art Nouveau Ceramic Vase by Lachenal

French Art Nouveau Ceramic Planter by Bigot

A French Art Nouveau earthenware planter by Alexander Bigot for the architect Cintrat, featuring an organic pattern that repeats itself around the base.

French Art Nouveau Ceramic Planter by Bigot

French Art Nouveau Ceramic Vase by Bussière

A French Art Nouveau ceramic vase designed by Ernest Bussière and produced by Keller et Guérin. The vase is decorated with vegetal forms and has a glaze of pale green with traces of purple. A similar vase was shown at the Exposition de l''Ecole de Nancy in Paris in 1903 (see "The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1998, p.260).

French Art Nouveau Ceramic Vase by Bussière

French Art Nouveau Covered Porcelain Jar by de Feure

A French Art Nouveau covered porcelain jar designed by Georges de Feure and manufactured by Dufraisseix & Abbot, Limoges for Art Nouveau Bing. In the manner of de Feure''s renowned textiles, this piece is decorated with elegantly painted abstract floral and vegetal designs. Pictured in "The Paris Salons 1895-1914: Volume IV Ceramics & Glass," by Alastair Duncan, Page 159.

French Art Nouveau Covered Porcelain Jar by de Feure

French Art Nouveau Bisque Ceramic Sculpture titled "Danseuse Tambourin à Gauche" by Leonard and Sevres

A French Art Nouveau ceramic bisque figural sculpture by Agathon Léonard, featuring a woman dancing with a tambourine, titled "La danse du tambourin, tete penchée à gauche" ("The tambourine dance, head leaning to the left"}, from the series "Le jeu d''écharpe." Le jeu d''écharpe, created by Agathon Léonard at the turn of the 20th century, consists of 15 sculptures of young women in various poses. Some women dance with scarves; others hold musical instruments or carry flaming torches. Each of the 15 dancers is unique in terms of her pose, hair style and dress. Their dresses exhibit fluid drapery with flowing sleeves. The series was produced in both bronze and ceramic. Le jeu d''écharpe was inspired by the dancer Loïe Fuller. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 187; and in: Agathon Léonard: Le geste Art Nouveau, by Ingelore Böstge, Paris: Somogy editions d''art, 2003, p. 51, cat. no. 12.

French Art Nouveau Bisque Ceramic Sculpture titled 'Danseuse Tambourin à Gauche' by Leonard and Sevres

Art Nouveau Bisque Ceramic Sculpture by Agathon Leonard titled "Danseuse au Cothurne"

A French Art Nouveau bisque ceramic figural sculpture by Agathon Léonard, featuring a woman holding her dress with her right hand. Titled "Danseuse au cothurne" from "Le jeu de l''écharpe." This figure is one of the "la danse" (the dance) set, originally produced and cast by Sèvres and presented by the artist at the 1900 Paris Exposition Universelle. A cothurne (English translation cothurnus) was a laced boot worn by actors in Greek and Roman tragedies. Le jeu d''écharpe, created by Agathon Léonard at the turn of the 20th century, consists of 15 sculptures of young women in various poses. Some women dance with scarves; others hold musical instruments or carry flaming torches. Each of the 15 dancers is unique in terms of her pose, hair style and dress. Their dresses exhibit fluid drapery with flowing sleeves. The series was produced in both bronze and ceramic. Le jeu d''echarpe was inspired by the dancer Loïe Fuller. This smaller size series is extremely rare. A similar model is pictured in "Agathon Léonard: Le geste Art Nouveau" by Ingelore Boestge, Somogy editions d''art, Paris 2003, p.51, Plate number 13.

Art Nouveau Bisque Ceramic Sculpture by Agathon Leonard titled 'Danseuse au Cothurne'

French Art Nouveau Ceramic Clock by Follot

An Austrian Art Nouveau porcelain and silvered clock by Paul Follot. This clock prominently features the arabesquing line of the Art Nouveau movement, both in shape and in the relief decoration. Abstract blue flower buds decorate the clock in panels at the top and behind the clock face. The silvered clock face and pendulum are also decorated in the whiplash motif, which makes this clock a complete and total work of Art Nouveau. A similar clock is pictured in: "Art Nouveau: The French Aesthetic," by Victor Arwas, London: Andreas Papadakis, 2002, p. 333; a similar clock is also pictured in the 1904 Louis Majorelle catalog, in the "Les Algues" Chamber, near the end of the catalog.

French Art Nouveau Ceramic Clock by Follot

"Femme au Pieuvre" French Art Nouveau Glazed Ceramic Inkwell by Rupert Carabin

A French Art Nouveau "Femme-Pieuvre," brown glazed ceramic inkwell by Rupert Carabin, wherein a woman ecstatically rips open the head of an octopus, spilling its ink. A beautiful play on an ancient means of sourcing ink, this sculpture''s tranquility and solidity give it the aura of an ancient carving. Pictured in: "The Paris Salons 1895-1914, volume IV: Ceramics and Glass" by Alastair Duncan, p.76; "L''Oeuvre de Rupert Carabin 1862-1932, Catalogue D''exposition, Galerie du Luxembourg", 1974, pp.229 and 232; "Art Nouveau, Sculpture" by Alastair Duncan, Academy Edition, 1978, p.20; and in: "Le Modern style" by Laurence Buffet-Challié, p.74, plat 2.

'Femme au Pieuvre' French Art Nouveau Glazed Ceramic Inkwell by Rupert Carabin

French Art Nouveau Ceramic Inkwell by Carabin

A French Art Nouveau "Femme à la Coloquinte," glazed ceramic inkwell by François-Rupert Carabin. The inkwell features a nude woman embracing an unusually large gourd. A similar sculpture is pictured in: "L''ouevre de Rupert Carabin, 1982-1932," catalogue of the exhibition at le Musée du Luxembourg, Paris, 1974, p. 230, cat. no. 189.

French Art Nouveau Ceramic Inkwell by Carabin

"Chalmont" planter by Hector Guimard

A French ceramic planter, known as "Chalmont," by Hector Guimard . The planter features a blue interior with stylized handles with gold highlights. The exterior is glazed in dark brown. A similar planter is featured in: Philippe Guimard Thiébaut edition of the Réunion des Musées Nationaux, Paris, 1992. Model reproduced on pages 258 and 262.

'Chalmont' planter by Hector Guimard

"Chalmont" planter by Hector Guimard

A French Art Nouveau green ceramic planter known, as "Chalmont," by Hector Guimard. The planter features a blue interior with stylized gold-highlighted handles. A similar planter is featured in: Philippe Guimard Thiébaut edition of the Réunion des Musées Nationaux, Paris, 1992. Model reproduced on pages 258 and 262.

'Chalmont' planter by Hector Guimard

French Art Nouveau "Danseuse A L''Écharpe No. 12" gilt bronze sculptures by Agathon Léonard.

A French Art Nouveau "Danseuse A L''Écharpe No. 12" gilt bronze sculpture by Agathon Léonard. Originally created as a smaller group of ceramic figures, possibly based on the dancer Loïe Fuller, the series was completed in hard porcelain by the Manufacture Nationale de Sèvres as a fifteen-piece table-top group, "Jeu de L''Echarpe." After acclaim at the Paris Exposition Universelle of 1900, the French foundry Susse Frères produced bronze casts of these, incorporating discreet lighting on some models. Published/Exhibited: Macklowe and Goldring, "Dynamic Beauty: Sculpture of Art Nouveau Paris," 2011, p. 190; Böstge, "Agathon Léonard: Le geste Art Nouveau," 2003, p. 75.

French Art Nouveau 'Danseuse A L''Écharpe No. 12' gilt bronze sculptures by Agathon Léonard.

"La Danse" by Clement Massier

A French Art Nouveau ceramic plate with iridescent glaze by Clement Massierm depicting a dancing woman. Loïe Fuller employed smoke, billowing fabrics and dramatic lighting in her choreography, creating an ethereal, otherworldly effect, the likes of which the world had never seen. Clement Massier drew inspiration from her for this iridescent glazed ceramic charger, where Fuller seems to be floating in a sea of the unknown. The feathered decoration in the enamel work merges with her swirling draperies, further accented by iridescent green and purple highlights against a golden ground. The inspiration for the subject matter of the plate was undoubtedly the Aermican dancer and choreographer , Loïe Fuller, whose dances with swirling silks and experimental lighting made her a legend. A similar charger is pictured in: "Loïe Fuller: Goddess of Light," by Richard Nelson Current and Marcia Ewing Current, Boston: Northeastern University Press, 1997 (see center color images).

'La Danse' by Clement Massier