An important French Retro, 18-karat rose gold bangle bracelet with diamonds, rubies, and rose quartz, by Verger Frères. The hinged bangle bracelet is designed with terminals of rose quartz sphere clusters, each set with circular-cut rubies, approximate total weight 1.65 carats, flanked by old mine-cut diamonds with an approximate total weight of 1.30 carats, further highlighted by calibré-cut rubies with an approximate total weight of 1 carat. The Verger workshop was a successful, behind-the-scenes force creating jewels for Boucheron, Cartier, Tiffany, and Van Cleef & Arpels. Unlike those of many manufacturing jewelers, who merely produced work to order, Verger''s own original designs were particularly valued and sought after by these great Parisian Maison. Verger are known for their magnificent clocks featuring strongly defined shapes, stylized lines and global inspiration. For the Haute Joaillerie he created elaborate fancies of form and color contrast, as we see here in this important rose gold bracelet.
An American Mid-20th Century 18 karat gold and platinum bracelet with rubies and diamonds by Tiffany & Co. The flexible bracelet has 32 rubies with an approximate total weight of 8.30 carats, and 286 diamonds with an approximate total weight of 12.70 carats. The rubies are thought to be of Burmese origin with no heat treatment.
A French Late-20th Century 18 karat gold X-link bracelet by Paloma Picasso for Tiffany & Co. The bracelet is a beautiful example of the long-celebrated designer''s hallmark simplistic elegance, featuring Tiffany''s famed "X" design.
A Tiffany Studios New York glass and bronze "Belted Turtleback" table lamp, featuring a large band of iridescent green "Turtleback" tiles against a mottled brick pattern ground, atop a rare Tiffany Studios New York green and red patinated bronze lamp base with pierced Onion Bulb design. "Turtleback" tiles were an early invention of Tiffany''s, consisting of amber or blue glass and coated with an iridescence. His experiments predated the founding of Tiffany Studios and distinguished him as a luminary of glass innovation. For the texture of his turtleback shells, Tiffany was inspired by the Neolithic Egyptian turtle carapace scale rings and bracelets excavated in Cyprus. For his Egyptian fete (party) in 1913, Tiffany served turtle along with suckling pig and frog legs. Shade pictured in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, p.131, plate #1434. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors'' Club, 1988, p. 85, plate 330.
We are committed to making this website available to as many people as possible and is engaged in continued efforts to ensure that this website is accessible to those with special needs, including those with visual, hearing, cognitive and motor impairments. Our efforts in that regard are ongoing. Many internet users can find websites difficult to use. We recognize that this is an important issue, and we are working to ensure that this website is accessible to all persons who wish to use it. Our efforts to improve this website in this regard are in process, so if you come across a page or feature you find inaccessible or difficult to use, please send your feedback to firstname.lastname@example.org.