Page 1 of 2 NEXT >>         View All
Search Results for

"shell"

French Art Nouveau Ceramic Vide-Poche by Bussière

A French Art Nouveau ceramic vide-poche designed by Ernest Bussière and produced by Keller et Guérin, consisting of two interlocking conch shell dishes with delicate pink, cream and green glazes.

French Art Nouveau Ceramic Vide-Poche by Bussière

Kurt Wayne Late-20th Century Diamond and Gold Shell Earrings

A pair of American Estate 18 karat gold and diamond earrings by Kurt Wayne, designed in a shell motif with pavé-set round-cut diamonds with an approximate total weight of 4.00 carats, G/H color, VS clarity.

Kurt Wayne Late-20th Century Diamond and Gold Shell Earrings

French Art Nouveau Gilt Bronze Vide-Poche by Rousseau

A French Art Nouveau gilt bronze figural vide-poche by Loiseau-Rousseau titled "Riding the Wave," with the head of a woman situated below a breaking wave. The vide-poche has the shape of a sea shell. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 202.

French Art Nouveau Gilt Bronze Vide-Poche by Rousseau

Art Nouveau "Crabe" vide-poche by Amalric Walter

A French "Crabe" pâte de verre vide-poche by Amalric Walter. The reddish-brown crab has spots of dark green, red and yellow on the top portion of its shell. It sits on a green wave with long strands of seaweed. A similar vide-poche is pictured in: Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 18, cat. no. 15.

Art Nouveau 'Crabe' vide-poche by Amalric Walter

Art Nouveau Pâte de Verre Plaque by Amalric Walter

A French Art Nouveau pâte de verre "Crab" plaque by Amalric Walter. The red-brown crab, which has green and yellow accents on its shell and claws, sits on a mottled pale gray background. It is surrounded by red seaweed and yellow seashells.

Art Nouveau Pâte de Verre Plaque by Amalric Walter

Art Nouveau Pâte de Verre Plaque by Amalric Walter

A French Art Nouveau pâte de verre "Langouste" plaque by Amalric Walter. This six-sided plaque shows a green lobster surrounded by yellow seaweed and shells, on a pale background.

Art Nouveau Pâte de Verre Plaque by Amalric Walter

Antique Diamond Demantoid Garnet and Gold Lorgnette

An Antique 15 karat gold lorgnette with diamonds and demantoid garnets. The lorgnette contains 8 round-cut diamonds with an approximate total weight of .10 carat, and 4 round-cut demantoid garnets with an approximate total weight of .10 carat. The lorgnette is decorated with dimensional shell and swag elements. Hinged mechanism.

Antique Diamond Demantoid Garnet and Gold Lorgnette

French Art Nouveau Cylindrical Snail Vase by Daum

A French Art Nouveau "Vigne et Escargots" vase by Daum. The vase features grape clusters, vines and leaves in low relief with an an applied snail on one of the upper leaves, all against a mottled amber, pink, red, plum and white glass ground. Some of the grapes are also applied to to heighten the natural effects of the grape clusters. The scene is loosely landscape-based, with roots at the bottom and vines hanging down from the top, but the complex composition makes the piece entirely surreal. During the Art Nouveau period artists frequently used scenes from nature to convey human emotion, and vice versa. This autumnal piece is dark and mysterious, with gnarls, roots, and snails slithering on it. The motifs, patterns, and textures on the vase imply a time of transience, like the changing of the seasons. The "Vigne et Escargots" vase was produced in five layers beginning with a colorless glass core. The top two thirds of the intercalaire layer is colored with sulfure de cadmium inclusions and the bottom third is powdered with améthyste inclusions. After being cased with colorless glass, the glass was colored with translucent white inclusions in the top two thirds of the vase and améthyste in the bottom two thirds. Cirrus clouds at sunset were created with améthyste inclusions sprinkled atop burgundy inclusions. The base features a spattering of opaque verte de paris in ... clusions. To create a soot-like atmosphere, bistre inclusions were sprinkled about the grapes. The final layer consists of burgundy inclusions in the top third and améthyste, opaque verte de paris, and translucent white inclusions in the bottom two thirds. The vase was subsequently blown into an inverted baluster form with an undulating trefoil mouth and a splayed thick concave firing foot. In the constriction between the body and foot, the body was twisted counter-clockwise, while the constriction between body and neck was twisted clockwise. The striation created by the twisting of the intercalated layers create a sense of rising air. The bodies of the burgundy snails were subsequently created with drawn out upper and lower tentacles and fused with yellow powdered glass. For the snails'' shells, a core of colorless glass was coated in light gray-brown, dark gray-brown and black powdered glass and cased in another layer of colorless glass. The snail shells were fused to the body using this very powdered glass mixture. After the design was painted in wax upon the vase, the background and snails were acid-etched, allowing the intercalated layers to show through and the snails to be given a frosted appearance. The grape vine design and snails were subsequently hand carved, taking care to detail the snail shell''s bands. A vase with similar decoration is pictured in: Daum Frères: Maîtres Verriers, 1892-1935, by Katharina Büttiker-Weber, Zurich: Galerie Katharina Büttiker, 1986, cat. no. 79.

< View More >
French Art Nouveau Cylindrical Snail Vase by Daum