A Victorian silver-top 18 karat gold, diamond, emerald, ruby and pearl brooch, featuring a depiction of the penultimate scene from the fable "Jack and the Beanstalk" in which Jack lures the giant by stealing the mermaid''s harp. A baroque pearl forms the tail of a sculpted 18-karat gold mermaid decorating the base of a lyre outlined with old mine-cut diamonds. The strings of the lyre are accented with emeralds, rubies, diamonds and a sapphire weighing approximately 1.75, .30, .30 and .05 carats respectively.
A French Art Nouveau 18 karat gold pendant with pink sapphire, diamonds and pearl by Lucien Gautrait. The pendant has a pear-cut pink sapphire with an approximate total weight of .80 carat, 2 old European-cut diamonds with an approximate total weight of .10 carat, and a baroque pearl drop. The pendant shows an emergent woman with flowing hair and outstretched arms in a euphoric opium-induced state. Art Nouveau 18 karat chain not original to the piece. Pictured in Masterpieces of French Jewelry, by Judith Price, Running Press, 2006, page 48. Pictured in Henri Vever French Jewelry of the Nineteenth Century, Thames Hudson, 2001, page 1110.
A French Belle Epoque pink sapphire and diamond ring set in platinum. The classic cluster ring centers on an oval Ceylon pink sapphire weighing 3.87 carats, surrounded by 11 old mine-cut diamonds with an approximate total weight of 1.32 carats. French control mark. American Gemological Laboratory certificate # CS 64359 stating that the center stone is natural corundum pink sapphire from Ceylon; low temperature heating. Provenance: Lucie Bigelow Rosen
An American Art Deco platinum ring with diamonds and sapphires. The ring has a center old European-cut diamond with an approximate weight of .50 carat flanked by 4 calibre cut sapphires, and a round-cut sapphire with an approximate weight of .57 carat flanked by 4 single cut diamonds. The ring is made as a double gypsy ring with the diamonds and sapphires in a ''ying-yang'' motif of positive-negative color.
A French Art Deco 18 karat gold brooch with sapphires and diamonds by Mauboussin. The brooch has 34 round sapphires with an approximate total weight of 2.00 carats, and 54 old European-cut diamonds with an approximate total weight of 1.35 carats. The butterfly brooch is composed in a high three dimensional motif with open-work gold wings.
A French Art Deco platinum double clip brooch with diamonds by Ostertag. The double clip brooch has 182 round and baguette-cut diamonds with an approximate total weight of 9.50 carats, G/H/I color, VS/SI clarity. Original bill of sale from M.S.Arnold Ostertag. The clips are designed in a stylized wing motif. Signed box, ''Paris Arnold Ostertag''. The firm of Ostertag, founded in the 1920''s by Swiss-born, Arnold Ostertag (1883 – c.1940) is said to have created objects that rivaled the creations of the more celebrated houses of Cartier, Van Cleef & Arpels, and Boucheron. The Ostertag Maison was located in Paris, at number 16 Place Vendôme, near other important jewelry houses of the day.During the 1920s and 1930s, Ostertag was especially known for jewelry and objets d''art based on Asian and Indian designs. One style, known as Tutti Frutti, popular from the early 1920s to the late 1930s, combined influences from Islamic religious architecture and so-called Hindu or Indian styles. Emeralds, carved rubies, and sapphires – often imported from worldwide locations – were interspersed with diamonds. The jewels were crafted into unique pieces using the highest known techniques of the day and arranged into flowers and leaves, studded with berries and fruit. Many of the creations were purchased by an elite clientele that ranged from empresses, kings, and dukes to celebrities.Ostert
ag was among the renowned Parisian jewelers, led by Cartier and Mauboussin, that were invited to commission masterpieces in collaboration with other respected and well-known jewelry and timepiece houses of the day. Ostertag''s objets d''art and decorative clocks made by the revered clockmaker, George Verger, are jeweled works of art. In 1929 Ostertag exhibited jewelry and objets d''art at the Musée Galliera. Ostertag''s Paris shop continued until late 1939, when he left for America, where he died around 1940.His biographers, Proddow and Healy, write that Ostertag regularly visited America in years between World Wars I and II. They write that he would come to New York in mid-October, spend two months in Los Angeles, then visit Florida, and return to Paris via Cannes at Easter. After two months in Paris, he spent July in Deauville, August in the south of France, and September in Biarritz. At the onset of World War II, Maison Ostertag closed its doors forever. Discussed in Art Deco Jewelry by Sylvie Raulet, Rizzoli, 1985.
A pair of Mid-20th Century 14 karat gold and platinum hinged stirrup cuff links with blue sapphires attributed to the famed Beverly Hills jeweler William Ruser. The cuff links feature 8 cabochon blue sapphires, 2 on each end, with an approximate total weight of 1.20 carats.
A Tiffany & Co. platinum Art Deco 5-piece cuff link set with sapphires weighing approximately 2.05 carats. The dress set is designed with diagonal stripes of square-cut sapphires bisecting the square cuff link tops. The cuff links are double-sided with bar connections.
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