A pair of Art Deco platinum, onyx and diamond double sided cuff links, featuring an octagonal shape inset with a circle of black onyx surrounded by rose-cut diamonds with an approximate total weight of 1.20 carats.
A pair of French Art Deco platinum and 18 karat gold cuff links with diamond, onyx and coral. The cuff links have 56 rose-cut diamonds with an approximate total weight of .40 carat, and polished coral and onyx stones. Double-sided.
A pair of French Art Deco platinum earrings with diamonds, red coral, and onyx. The earring tops have black onyx and coral beads that suspend pear shape drop with 46 old European-cut diamonds with an approximate total weight of 1.00 carat alternating with black enamel triangles. The interior of the drop is framed with a single piece of cut coral. The earrings are in a modified pendeloque motif. Similar discussed in Earrings from Antiquity to the Present by Daniela Mascetti and Amanda Triossi, Thames & Hudson, 1990, page 132-135.
A late Edwardian platinum brooch with diamonds and onyx. The brooch has milgrain-set old European-cut diamonds with an approximate total weight of 6.50 carats, H/I color grade, VS clarity, with baguette-cut onyx accents. The brooch is designed as a poppy blossom with articulated diamond-set knife-edge bars. With detachable brooch fitting.
A very comprehensive set of French Mid-20th Century 18 karat gold cuff links with interchangeable hard stone bars (batons) by Cartier Paris. The cuff links'' connecting mounts consist of the following: 18 karat yellow gold polished mounts #6864463; 18 karat white gold polished mounts #672759; diamond-set 18 karat yellow gold mounts with 44 round diamonds with an approximate total weight of 1.32 carats, #686073; ruby-set 18 karat yellow gold mounts with 48 round rubies with an approximate total weight of 1.92 carats #641343; 18 karat yellow gold polished mounts with blue enamel #663206; and 18 karat yellow gold polished mounts with green enamel #686049. The interchangeable batons consist of hematite, 18 karat yellow gold ribbed, 18 karat white gold ribbed, green chrysophrase, coral, amber, malachite, wood, rock crystal, 18 karat yellow polished gold, 18 karat white polished gold, lapis lazuli, turquoise and onyx. With original Cartier signed fitted epi leather boxes and travel boxes. "Classic motifs--the button, the baton, the coin appeal to designers of every era because of their proportions, simplicity, and ease of use." Susan Jonas and Marilyn Nissenson in Cuff Links. Discussed and similar pictured in Cuff Links, by Susan Jonas and Marilyn Nissenson, Harry N. Abrams, Inc. Publishers, New York, 1991, page 91-92. Circa 1960''s. Signed, "Cartier" "016598" French control marks.
An Art Deco circular-shaped platinum dress set with double-sided cuff links and matching studs, featuring a white hardstone center, faceted black onyx on the outside edge and Old European-cut diamond center accents. 3 Studs with maker''s mark for Larter & Co.
An Art Deco platinum brooch with onyx and diamonds. The brooch has 82 calibre-cut onyx stones with an approximate total weight of .40 carat, and 49 Old European-cut diamonds with an approximate total weight of 1.45 carats. The brooch is designed as a dimensional tied ribbon bow with an open work gallery in a stylized Art Deco motif.
A French Mid-20th Century platinum brooch with diamonds, sapphires, and emeralds by Cartier Paris. The brooch has pavé round-cut diamonds with an approximate total weight of 4.30 carats, a cabochon sapphire with an approximate weight of 4.70 carats, 44 cabochon sapphires with an approximate total weight of .88 carat, and 2 cabochon emerald eyes. Signed Cartier box. Note: A Cartier legend, the designer Jeanne Toussaint was a creative spirit at Cartier Paris for almost 40 years. Born in the late 19th century, Jeanne rose from almost inconceivably difficult circumstances of poverty and abuse to an influential position as a woman of style and intelligence. "PanPan" was the nickname given to her in honor of the elegant and fiercely independent nature associated with the wild panther itself. Winning the support and trust of Louis Cartier and the women tastemakers who were the firm''s most important clients, Jeanne led the Maison to success after success, guiding it through its most challenging periods. For the legendary Duchess of Windsor, she created one of her great "Panthere" jewels, a diamond-pavé, onyx-spotted feline perched on a giant Kashmir sapphire. Jeanne had not sought her client''s approval first - she was confident that the Duchess would buy it on the spot, and she did. The "Panthere" design, a byword for the spirit of Jeanne Toussaint, has remained one of the firm''s
most enduring symbols, embodied in this amusing rendition of the big cat playing with a sapphire ball. / "In 1914 Louis Cartier commissioned French painter George Barbier to draw a lady with jewels and a panther. The artwork was later used in advertising, and Cartier was inextricably linked with the symbol of this animal. Louis Cartier was the pioneer in taming the legendary creature and his associate Jeanne Toussaint went on to make magnificent use of the icon. The panther has since inspired timeless and elegant collections of jewelry and timepieces that show the multiple facets of the animal that can be at times bold, regal or sensual." -- "Amazing Cartier", by Nadine Coleno, Flammarion, 2008, p. 72.
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