A French Art Nouveau 18 karat gold and enamel pendant by André Rambour. The pendant depicts a maiden within an enamel iris which is suspended by fancy link chain and an enameled foliate top.Shown in the Poster House (New York) exhibition "Alphonse Mucha: Art Nouveau./Nouvelle Femme," June 20-October 6, 2019.
A French 18 karat gold necklace with diamonds by Van Cleef & Arpels/Georges Lenfont. The necklace has 1400 round cut pave set diamonds with an approximate total weight of 47.00 carats, F/G color, VS clarity. The necklace is composed of 37 graduated curb links.
A French late-20th Century 18 karat gold necklace with diamonds by Cartier. The necklace has round and square-cut diamonds with an approximate total weight of 5.50 carats, G/H color, VS clarity, which compose the three diamond-set plaques on the brick chain necklace. The "Trinidad'' diamond necklace. With signed Cartier box and Cartier documentation.
A French Mid-20th Century platinum necklace with sapphires and diamonds. The center of the necklace has 4 graduated festooned strands of 162 round and oval-cut sapphires with an approximate total weight of 25.00 carats that form the articulated swag. The blue sapphires are most likely from Ceylon. The top strand and side decoration have 153 baguette diamonds with an approximate total weight of 9.00 carats, and 104 round-cut diamonds with an approximate total weight of 14.40 carats, G/H color, VS clarity. French control mark for platinum. The motifs of 1950''s jewelry design may appear similar to pieces produced in the ''40''s, but they were executed in an entirely different way. Retro jewelry had a solid, heavy and highly polished look whereas 1950''s jewelry was open, airy and textural, although still solid and "important" in appearance. There was beautiful movement and a depth displayed in the execution of design in this period, as this swag designed necklace exemplifies.
Dimensions: 14-1/2" length, with later 2" extension x 1-5/8" width at the center of the draping.
A French Mid-20th Century platinum and diamond necklace/tiara by Mellerio dits Meller. The necklace is composed of 200 round-cut diamonds with an approximate total weight of 44.25 carats, and 200 baguette diamonds with an approximate total weight of 45.75 carats. Approximate total carat weight is 90.00 carats, G/H color, VS clarity. The triple row necklace is formed of two outer rows of round-cut diamonds and a center row of baguette diamonds. The necklace separates forming a separate bracelet. The tiara frame is decorated with 7 round cut pastes. Mellerio fitted box. Mellerio dits Meller, the French jewelry house, was founded in 1613, and is still active today. "With jewelry for Marie-Antoinette, brooches for Princess Mathilde and tiaras for the court of the Netherlands, some of the biggest names in European royal history have cameos in the history of Mellerio dits Meller. The story of this jeweler to kings and queens has been written in gold and precious stones ever since Marie de Medicis lent her support to the house in 1613." Vincent Meylan, Mellerio historian.
A European Retro 14 karat gold "tubogas" necklace with diamonds. The necklace has 18 round-cut diamonds with an approximate total weight of 1.08 carats. The diamond-set center section is mounted between two twisted screw-shaped capitals.
Signed: European country control mark 14kt gold
Dimensions: 14-1/4" interior length x 1"-1/4" width
A French Art Nouveau 18 karat gold pendant with diamonds, pearls and peridots. The pendant features a plique-à-jour background with rose-cut diamonds with an approximate total weight of .60 carat, 3 freshwater pearls and 3 pear and round-cut peridots with enamel decoration surrounding the profile of Juliet.Shown in the Poster House (New York) exhibition "Alphonse Mucha: Art Nouveau./Nouvelle Femme," June 20-October 6, 2019. Note: This exquisite Art Nouveau image depicts Juliet at the moment when Romeo, lingering in the Montague''s garden, catches sight of her on her balcony. She is illuminated by the dawn light, represented in the jewel by the sparkling diamonds framing her head and the panes of glowing plique-a-jour enamel behind her. Though he first sees Juliet dancing with another man, Romeo is not put off, predicting that their love will prove "a beauteous flower" and identifying her with light: "she teaches the torches to burn bright". Meanwhile, behind a veneer of obedience, Juliette, resolute, witty, and loyal, chooses independence in death over life with the man her father has commanded her to marry. In part thanks to his captivating and complex woman heroes like Juliet, Shakespeare "went global" in the 19th century, inspiring world artists not only in drama but painting, printmaking, fiction, music and jewelry.
An American Art Nouveau 18 karat gold and enamel pendant brooch with opals and chrysoprase by Marcus & Co.. The pendant brooch has 6 cabochon white opals, 63 cabochon chrysoprase stones and plique-à-jour enamel. Suspended from the brooch is an opal and chrysoprase pendant drop. Detachable brooch finding and flip-down bail.The multi-generational New York firm of Marcus & Co was founded by an ambitious young German immigrant who had trained at a prominent Dresden court jeweler. In 1892, after working with Charles Lewis Tiffany, Hermann Marcus and his sons William and George together set up a business that soon became a glittering New York society institution renowned not only for its superb diamonds, colored stones and pearls, but also its instantly recognizable, original design style. The firm produced great jewels in the Art Nouveau and Arts & Crafts sensibility, with George, the artist/designer, drawing inspiration from sources as diverse and exotic as the contemporary French masters, the Moghuls and Maharajahs, the garland style of the Ancien Regime, and the genius of Renaissance goldsmiths. George''s distinctive, confident hand was always discernible in Marcus creations. Working as a team with George, his brother William was a gem and pearl connoisseur who travelled the world hunting fine gem material, including purchasing the entire production of never-before-seen black
opal in Lightning Ridge Australia in 1908. Marcus exhibited at the 1900 Exposition Universelle in Paris, and their work won prizes at the prestigious Society of Arts & Crafts of Boston. Plique-a-jour enamel was an art in which Marcus & Co. excelled, creating jewels with unprecedented three-dimensional depth in this medium. The firm and family were well-known for their charitable activities and promotion of young jewelers such as Raymond Yard.Shown in the Poster House (New York) exhibition "Alphonse Mucha: Art Nouveau./Nouvelle Femme," June 20-October 6, 2019.
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