An Antique 18 karat gold bracelet with turquoise and diamonds. The bracelet has 24 Old Mine-cut diamonds with an approximate total weight of 1.50 carats, 50 rose-cut diamonds with an approximate total weight of .70 carat, and 15 turquoise cabochons. The ''offered'' linking bracelet is detachable and the center panel becomes a pendant. Pictured in Understanding Jewellery, by David Bennett & Daniela Mascetti, Antique Collectors'' Club, 1989, page 185, Plate 247.
An English Victorian 18 karat gold bangle bracelet with amethyst, diamonds and pearls. The hinged bangle bracelet centers on a cabochon amethyst with a ribbon of 9 rose-cut diamonds with an approximate total weight of .26 carat. The center cluster is framed by 26 seed pearls. With antique fitted box.
Dimensions: Interior circumference: 6-1/2"; the graduated cuff measures 1-1/4" to 1/4" width.
A Victorian 14 karat gold bangle bracelet with diamonds and rubies. The light gold bangle features alternating diamonds and rubies, framed by intricate scroll work settings that can be seen from either side of the gems. The bangle bracelet has 8 old mine-cut diamonds with an approximate total weight of 1.35 carats, 9 oval-cut rubies with an approximate total weight of 1.05 carats. Marked 585 on tongue.
A Victorian 15 karat gold bracelet with turquoise and diamonds. This is a large bangle, to be worn either on the wrist or as an arm band, It has the form of a serpent dynamically wrapped upon itself and seemingly caught in motion, covered in tightly-set cabochons of turquoise and replete with striated gold on the reverse side to complete the appearance of a snake. The head of the reptile features a large tear drop-shaped cabochon of turquoise framed by twelve old mine-cut diamonds that have approximate total weight of 1.14 carats, and has a lovely pair of diamond eyes. Turquoise was mistakenly named as such during the Victorian times because it was believed by most Western Europeans that the blue stone came from Turkey, when in fact it merely passed through Turkey on its way westward from Iran. Because of its color, turquoise was associated by Britons in the Victorian Age with the Forget Me Not flower, which, in the very sophisticated and well known "language of flowers," was a symbol of undying love. The snake, when depicted in a continuous loop, was also understood during this period as a potent emblem for eternal affection, largely due to the fact that Prince Albert presented Queen Victoria with a snake band with a gemstone head as a wedding ring.
An English Victorian 18 karat gold hinged snake bangle with diamond, sapphire and ruby. The head is a cabochon blue sapphire that has the approximate weight of .15 carat surrounded by .12 carat of rose-cut diamonds with 2 cabochon ruby eyes that have the approximate total weight of .04 carat. After Prince Albert gave Queen Victoria a snake band with an emerald head as a wedding present in 1839, snakes, particularly in a fully realized or continuous band form, came to be a symbol for eternal love and devotion to the Victorians. This bracelet, which could alternatively be worn as an arm band, depending on the preference and comfort of the wearer, is a particularly charming example of Victorian snake jewelry. Unusually, the serpent''s tail fully encircles the bangle several times as the two ends of the bangle meet, adding fantastically to its visual width. The diamond-haloed sapphire crowning the piece adds a beautiful bit of color and brilliance, as do the ruby eyes.
A French Belle Epoque 18 karat gold and platinum bracelet with diamonds designed by Lucien Gautrait for Leon Gariod. The bracelet has 5 old European-cut diamonds with an approximate total weight of 0.90 carat set into 6 openwork wheat- and foliate-decorated plaque links. The 3 larger links are enameled and heavily decorated.
A French Art Deco platinum bracelet with diamonds by Okrant et Davidonniez. The flexible open work bracelet has 512 European-cut diamonds with an approximate total weight of 38.00 carats, 2 larger diamonds with an approximate total weight of 2.00 carats, and 2 smaller flanking diamonds with an approximate total weight of 1.00 carat, VS clarity, G/H/I color grade. With original box. The Okrant et Davidonniez workshop was located in Paris at 64 rue Lafayette. They produced jewelry for all the Place Vendôme fine jewelry houses, such as Van Cleef & Arpels, Cartier, Mauboussin, and Boucheron. The firm closed in 1939. Exhibited at "Anything Goes: The Jazz Age" at the Nassau County Museum of Art, 24 March 2018 - 8 July 2018. Similar bracelets are pictured in Art Deco Jewelry, by Sylvie Raulet, Rizzoli, 1984, page 84, 154.
A French Art Deco platinum and diamond bracelet . The wide, flexible, openwork bracelet is composed of 3 diamond plaques centering on 3 Old European-cut diamonds that weigh approximately .95 carat, .85 carat and .80 carat. There are 411 old European-cut diamonds with an approximate total weight of 12.50 carats that form a geometric pattern. The larger diamonds are framed with 24 baguette-cut diamonds with an approximate total weight of 2.00 carats. The total approximate weight of the bracelet is 28.00 carats, G/H/I color, VS/SI clarity. Similar bracelets are pictured in Art Deco Jewelry, by Sylvie Raulet, Rizzoli, 1984, pages 84,154.
We are committed to making this website available to as many people as possible and is engaged in continued efforts to ensure that this website is accessible to those with special needs, including those with visual, hearing, cognitive and motor impairments. Our efforts in that regard are ongoing. Many internet users can find websites difficult to use. We recognize that this is an important issue, and we are working to ensure that this website is accessible to all persons who wish to use it. Our efforts to improve this website in this regard are in process, so if you come across a page or feature you find inaccessible or difficult to use, please send your feedback to email@example.com.