An English Victorian 18 karat gold reverse crystal brooch. The finely painted crystal brooch represents ducks in lift-off. The yellow and red gold frame is decorated with dimensional pussy willows intertwined with ribbon. Reverse crystal intaglios are a rock crystal cabochon with an intaglio carved into the flat back and then painted realistically with oils, so that when, viewed from the top, the image has a three-dimensional effect. Finally, the back was sealed with mother-of-pearl, which preserved the painted areas. The motifs most commonly found were sporting themes -- horses, dogs, foxes and birds. The technique originated in Belgium c. 1860 and was popularized in England c. 1860''s by Thomas Cook.
A French bas-relief glass pâte-de-verre plaque by Henri Cros, depicting a mythical dragon or sea creature in hues of pink, against a crystal-like ground. This is an experimental plaque by the originator of the revival of the ancient pâte-de-verre process.
An Antique English 18 karat gold, diamond, natural pearl and enamel hinged bracelet by Hunt & Roskell of London. The bracelet features 84 old mine- and rose-cut diamonds that have the approximate total weight of 2.70 carats. The natural pearl center plaque of the bracelet is removable and can be worn as a brooch. The center pearl measures 8.55 mm. with 4 additional pearls that measure 5.9 mm. With original brooch attachments and original signed fitted box. Selected as jewelers and goldsmiths to Her Majesty in the 1840s, Hunt & Roskell of New Bond Street were prominent participants in the Crystal Palace Exhibition of 1851, the first of the competitive international expositions that provided dynamic impetus to creativity and accomplishment in the fine and decorative arts. Their work ran from glamorous (diamond and gem-set tiaras convertible into necklaces) to exotic (bracelets set with rare Indian portrait diamonds), and they were owners for a time of the legendary Hope blue diamond. In keeping with the firm''s tradition of versatility, this chic bracelet, with its creamy natural pearls set off by sparkling antique-cut diamonds, conceals a brooch fitting under the velvet interior of its original morocco leather box.
A very comprehensive set of French Mid-20th Century 18 karat gold cuff links with interchangeable hard stone bars (batons) by Cartier Paris. The cuff links'' connecting mounts consist of the following: 18 karat yellow gold polished mounts #6864463; 18 karat white gold polished mounts #672759; diamond-set 18 karat yellow gold mounts with 44 round diamonds with an approximate total weight of 1.32 carats, #686073; ruby-set 18 karat yellow gold mounts with 48 round rubies with an approximate total weight of 1.92 carats #641343; 18 karat yellow gold polished mounts with blue enamel #663206; and 18 karat yellow gold polished mounts with green enamel #686049. The interchangeable batons consist of hematite, 18 karat yellow gold ribbed, 18 karat white gold ribbed, green chrysophrase, coral, amber, malachite, wood, rock crystal, 18 karat yellow polished gold, 18 karat white polished gold, lapis lazuli, turquoise and onyx. With original Cartier signed fitted epi leather boxes and travel boxes. "Classic motifs--the button, the baton, the coin appeal to designers of every era because of their proportions, simplicity, and ease of use." Susan Jonas and Marilyn Nissenson in Cuff Links. Discussed and similar pictured in Cuff Links, by Susan Jonas and Marilyn Nissenson, Harry N. Abrams, Inc. Publishers, New York, 1991, page 91-92. Circa 1960''s. Signed, "Cartier" "016598" French control marks.
A French Art Nouveau silver cloak clasp with opals by Georges Fouquet. The cape clasp is decorated with 14 bezel-set crystal opal plaques. The clasp is designed as two intertwined peacocks with extravagant whiplash ''feathers''. Inspired by a noted collaboration with the renowned Art Nouveau innovator Alfonse Mucha, this cloak clasp in all its exquisite detail and voluptuous lines perfectly encapsulates the spirit of the period. Its peacock theme was a favorite motif of Fouquet and Mucha. A similar piece is pictured in Alastair Duncan''s, The Paris Salons, 1895-1914: Volume I, Antique Collectors'' Club, Woodbridge, Suffolk, 1994, page 251.
An American Art Deco platinum and 14 karat gold dress set with diamonds and bezel-set carved rock crystals by Krementz & Co., retailed by Dreicer & Co., New York. The dress set has 155 round diamonds with an approximate total weight of 2.95 carats, and 11 carved rock crystals. The octagon-shaped set contains a pair of double-sided cuff links, four buttons and three dress studs. In original signed Dreicer & Co. box. Similar pictured in "Precious Cufflinks From Pablo Picasso to James Bond", by Walter Grasser, Franz Hemmerle, Alexander von Wurttemberg, Hirmer, 2016, page 60.
An Art Deco plaque platinum brooch with emeralds, rubies, sapphires and diamonds around a central window with a rock crystal bottom on which pheasant and vegetal forms stand out as glycine. The plant forms and the bird are made with emeralds, rubies yellow and blue sapphires and calibrated rubies. These are based on a pavé of diamonds, with the window framed in an oval of diamonds with chatons and a fan at the bottom. The sides of the brooch are made with rubies, emerald and faceted onyx sapphires and set in cells, each one of them in a unique way, simulating a stained glass window. Vegetal forms of diamonds are applied on it. Approximate total weight of diamonds: 4.80 carats. Total approximate weight of colored stones: 4.00 carats.
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