A French Art Nouveau patinated bronze sculpture by Théodore Rivie`re, featuring two intricately-sculpted figures from the story of Carthage. The woman has emerald eyes and her crown is accented with rubies. Pictured in: "Art Nouveau 1890-1914", V&A exhibit by Paul Greenhalgh, page 122; "Nineteenth Century Sculpture" by Maurice Rheims, p. 372 # 15; and in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 229.
A French Art Nouveau lighted gilt bronze sculpture by Charles Korschann, depicting a woman holding a bouquet of flowers on a tray with an inkwell on the opposite side.The elegant female form''s bouquet of hydrangeas is wonderfully lit so as to splay dappled light outward. The disproportionate size of the lady in flowing golden robes implying her to be a mythical creature tending to her garden. Pictured in: "Art Nouveau and Art Deco lighting" by Alastair Duncan, page 129 and in "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 164.
A French Art Nouveau bisque ceramic figural sculpture by Agathon Léonard, titled "La danse du tambourin, tete penchée à droite" ("Tambourine dance, head leaning to the right"), from the series "Le jeu d''eécharpe." Le jeu d''écharpe, created by Agathon Léonard at the turn of the 20th century, consists of 15 sculptures of young women in various poses. Some women dance with scarves; others hold musical instruments or carry flaming torches. Each of the 15 dancers is unique in terms of her pose, hair style and dress. Their dresses exhibit fluid drapery with flowing sleeves. The series was produced in both bronze and ceramic. Le jeu d''écharpe was inspired by the dancer Loïe Fuller. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 186; and in: Agathon Léonard: Le geste Art Nouveau, by Ingelore Böstge, Paris: Somogy editions d''art, 2003, p. 52, cat. no. 14.
A French Art Nouveau games table by Louis Majorelle, featuring an inlaid marquetry top and carved legs and skirt. The marquetry decoration features stems, leave and, flowers around a central, bordered section. There is also marquetry decoration on the table skirt. The carving on the skirt and table legs feature three-leaf clovers, which climb the legs and end in flower buds. A similar table is pictured in "Majorelle - Nancy: décorations d''intérieurs: meubles, tentures, bronzes, ferronneries" (the 1906 Majorelle catalogue).
A French Art Nouveau gilt bronze vide poche by Max Blondat. Titled "An Embrace." The vide poche features the heads and torsos of a man and a woman, sweeping up from the sides of the dish. Each of the lovers has an arm around the other. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris", by Macklowe Gallery, The Studley Press, 2011, p. 57.
A French Art Nouveau gilt bronze tray with sculpted femme fleur by Louis Chalon, titled "Pirouetting Femme-fleur." The female nude stands, with upraised arms, on a rose blossom. A vine climbs up her legs, and she wears a foliate wrap on her back. The tray rim is decorated with flowers. Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris", by Macklowe Gallery, The Studley Press, 2011, p. 107.
A French Art Nouveau gilt bronze tray and inkwell by Geroges Flamand, with a woman''s face set in leaves with powder blue turquoise cabochon decorations. The inkwell is shaped like a flower. Titled "Inspiration at Dawn." Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris", by Macklowe Gallery, The Studley Press, 2011, p. 128.
A French Art Nouveau clock in gilt bronze by Maurice Dufrène with dancing figures modeled by Félix Voulot for the Parisian atelier La Maison Moderne. A similar model of this clock is part of the permanent collection of the Museum fur Kunst und Gewerbe, Hamburg. Signed, "F. Voulot 1900". Pictured in The Paris Salons: 1895-1914, Volume V: Objects d''Art & Metalware, by Alastair Duncan, pages 38 and 227. Also pictured in L''Ofevrerie et Le Bronze, L''Art Decoratif, by Charles Torquet, page 207.
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