A Tiffany Studios New York Art Nouveau Favrile glass pedestal vase. Iridescent sepia body with iridescent gold shoulders featuring a sage-green and beige Egyptian-inspired ''Tel el Armana" motif. A similar vase is pictured in: "Louis Comfort Tiffany at Tiffany & Co.," by John Loring, New York: Harry N. Abrams, Inc., 2002, p. 160.
A French Art Nouveau rosewood two-tiered pedestal by Anthony Selmersheim. While the top tier is circular, the lower shelf has four symmetric lobes. The four supports are sinuous and carved. A similar pedestal is pictured in: "The Paris Salons 1895-1915, Vol. III: Furniture," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1996, p. 464.
A French Art Nouveau two-tier wooden pedestal by Louis Majorelle, featuring a triangular top, a clover-shaped second tier and three sinuous, carved supports. A similar table is pictured in "Majorelle - Nancy: décorations d''intérieurs: meubles, tentures, bronzes, ferronneries" (the 1906 Majorelle catalogue).
A French Art Nouveau sculpture, "Four Peacocks," by Léopold Savine, depicting the bust of a woman surrounded by four peacocks whose tails form the pedestal on which her bust sits. Executed in patinated and silvered bronze. Pictured in: "Art Nouveau" by Judith Miller, p. 201; "Bronzes: Sculptors and Founders 1830-1930" by Berman, p. 775 # 2854; "Art Nouveau The French Aesthetic" by Victor Arwas page 249; and in: "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p.236.
A French Art Nouveau two-tiered square pedestal with carved and marquetry decoration by Emile Gallé. The pedestal has two marquetry shelves depicting leaves. Its four sinuous legs are enhanced with carved arch supports. A similar selette is pictured in: "Gallé Furniture," by Alastair Duncan and Georges de Bartha, Woodbridge, Suffolk: Antique Collectors'' Club, 2012, p. 253, plate 18.
A triangular French Art Nouveau table by Louis Majorelle. This two-tiered triangular table is made of mahogany. Its carved legs are finished with gilt bronze sabots. A similar table is pictured in: "The Paris Salons 1895-1915, Vol. III: Furniture," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1996, p. 413 (Pedestals, La Société des Artistes Décoratuers, 1910).
A French Art Nouveau walnut wood selette by Eugène Gaillard. The selette has three shelves. The middle shelf extends beyond the carved, curving legs in two directions. It is supported by four sinuous bronze arms. There is decorative carving below the top shelf, and the legs end in gently curving feet.
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