A French Art Nouveau lighted gilt bronze sculpture by Charles Korschann, depicting a woman holding a bouquet of flowers on a tray with an inkwell on the opposite side.The elegant female form''s bouquet of hydrangeas is wonderfully lit so as to radiate dappled light outward. The disproportionate size of the lady in flowing golden robes implies she is a mythical creature tending to her garden. Pictured in: "Art Nouveau and Art Deco Lighting" by Alastair Duncan, page 129 and in "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 164.
A French Art Deco pâte-de-verre vase, titled "Primevères" (Primroses) by Gabriel Argy-Rousseau featuring purple and red organic organic decoration in relief agains a multi-colored ground. The vase is further decorated with a purple art deco ornamental upper border. Pictured in: "G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné" by Janine Bloch-Dermant (Paris: Les Editions de l''Amateur, 1990), page 196, cat. no. 24.02.
A Tiffany Studios New York glass "Cypriote" vase, featuring a mottled and multi-textured lava-like finish, with an uneven border. The vase has a dark background with iridescent green, blue, purple and metallic swirls. Cypriote is a textured glass achieved at Tiffany Glass and Decorating Company by rolling glass over a marble or iron surface covered with pulverized bits of the same glass. Its iridescence and bubbles resembled the decomposed surface of Roman glass discovered during archeological explorations on the island of Cyprus, hence its name. Lava glass evolved from Cypriote glass by using thicker, brighter glass and dripping golden glass irregularly over the surface. A similar vase is pictured in: "The Art of Glass: Art Nouveau to Art Deco" by Victor Arwas, London: Andreas Papadakis, 1996, p. 40, plate 50.
A French Art Nouveau cameo glass vase by Daum, featuring a scene of red blooming flowers on an opaque white martelé ground. The flowers, which have dark centers, are suspended from dark curving stems that emerge from dark green carved leaves. Pictured in Glass, Art Nouveau to Art Deco, by Victor Arwass, page 83. Art Nouveau, the French Aesthetic,by Victor Arwas, page 506.
A French Art Deco pâte de verre vide poche by Amalric Walter and Henri Bergé. The tray features a black and brown crab with yellow highlights against a blue and yellow mottled background. The hexagonal form and radiating lines out of the crab''s back plant this piece firmly in the Art Deco aesthetic of geometry and symmetry. A similar dish is pictured in: "Amalric Walter (1870-1959)", by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 18, plate 13.
A French Art Nouveau "Poissons dans les vagues" pâte de verre vase by Gabriel Argy-Rousseau. The vase depicts green and blue fish swimming through a clear textured surface over white waves and a deep blue base. A similar vase is featured in Bloch-Dermant, G. Argy-Rousseau, London 1991, cat. rais. 25.15. page 205. Also in Victor Arwas, Art Deco, New York, 1980, p. 266.
A rare French Art Deco ovoid-shaped vase by Claudius Linossier. This geometric vase is constructed with silver-domed brass heel and patinated fire decoration and silver inlays on a hammered brown background. Claudius Linossier (1893-1953) was a highly important French Art Deco metal artist who chose to work in the very old and very difficult technique of dinanderie, which involved decorating hand-raised copper vessels with specially-made metal oxides that were hammered into the surface, and, when heated, produced subtle and beautiful colors. For more information about Linossier and this technique, have a look at our bio of him. His pieces can be found in many museums and private collections. Bibliography: "Claudius Linossier dinandier" - Jean Gaillard, Lyonnaise Editions of Art and History, Lyon, 1994. Our vase, appearing on an archive photograph reproduced on page 166, referenced 605 (year 1925) and accompanied by a note of the artist: [Black vase, red copper, silver. 60 Dollars. Very beautiful ovoid shape]
A pair of French Art Nouveau silvered metal floriform candlesticks by Paul Follot. Follot was one of the main artists represented by "La Maison Moderne," a Parisian gallery that championed the avant-garde artists of the day. Follot was one of the few French artists to achieve success in both the Art Nouveau and Art Deco periods, and his work can be found in museum collections worldwide. Similar candlesticks are pictured in: "The Paris Salons 1895-1915, Vol. V: Objects d''Art and Metalware", by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1999, p. 263.
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