A French Art Nouveau gilt bronze boudoir lamp by Edouard Colonna. The gilt bronze base has a foliate motif. The fringed pale gold silk shade is topped by a twisted vine finial that spreads in an arch over the lamp. A similar lamp is pictured in: "Art Nouveau: The French Aesthetic," by Victor Arwas, London: Andreas Papadakis, 2002, p. 281.
A French Art Nouveau "Pivoines" table lamp by Émile Gallé. The lamp features a vibrant detailed decoration of crimson red peonies wrapped around the base and shade, surrounded by foliage of plum-colored leaves. The patinated bronze mounts replicate the foliage theme and have scarab beetle terminals. A similar lamp is pictured in A. Duncan, G. de Bartha, "Gallé Le Verre," London, 1984, p. 153, pl. 214.
An Art Nouveau cameo glass and Vienna Faience glazed figural lamp by Emile Gallé and Podany. The porcelain base is formed from three dancing women with outstretched arms holding a garland of pink roses. The blossoms echo the elegant dome-shaped rosy-hued shade. Both the inside and the outside of the shade are decorated with pink and green flowers in carved relief.
A French Art Nouveau lighted gilt bronze sculpture by Charles Korschann, depicting a woman holding a bouquet of flowers on a tray with an inkwell on the opposite side.The elegant female form''s bouquet of hydrangeas is wonderfully lit so as to radiate dappled light outward. The disproportionate size of the lady in flowing golden robes implies she is a mythical creature tending to her garden. Pictured in: "Art Nouveau and Art Deco Lighting" by Alastair Duncan, page 129 and in "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 164.
A rare French Art Deco ovoid-shaped vase by Claudius Linossier. This geometric vase is constructed with silver-domed brass heel and patinated fire decoration and silver inlays on a hammered brown background. Claudius Linossier (1893-1953) was a highly important French Art Deco metal artist who chose to work in the very old and very difficult technique of dinanderie, which involved decorating hand-raised copper vessels with specially-made metal oxides that were hammered into the surface, and, when heated, produced subtle and beautiful colors. For more information about Linossier and this technique, have a look at our bio of him. His pieces can be found in many museums and private collections. Bibliography: "Claudius Linossier dinandier" - Jean Gaillard, Lyonnaise Editions of Art and History, Lyon, 1994. Our vase, appearing on an archive photograph reproduced on page 166, referenced 605 (year 1925) and accompanied by a note of the artist: [Black vase, red copper, silver. 60 Dollars. Very beautiful ovoid shape]
A French Art Deco pâte de verre vide poche by Amalric Walter and Henri Bergé. The tray features a black and brown crab with yellow highlights against a blue and yellow mottled background. The hexagonal form and radiating lines out of the crab''s back plant this piece firmly in the Art Deco aesthetic of geometry and symmetry. A similar dish is pictured in: "Amalric Walter (1870-1959)", by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 18, plate 13.
An American Art Nouveau patinated bronze and favrile glass mounted table candelabrum by Tiffany Studios New York. The candelabrum has six arms. Each candle holder is decorated with green favrile jewels. A similar candelabrum is pictured in: Alastair Duncan, "Tiffany Lamps and Metalware: An illustrated reference to over 2000 models", Woodbridge, Suffolk: Antique Collectors'' Club Ltd., 2007, p. 385, plate 1571.
A French Art Deco pâte-de-verre vase, titled "Primevères" (Primroses) by Gabriel Argy-Rousseau featuring purple and red organic organic decoration in relief agains a multi-colored ground. The vase is further decorated with a purple art deco ornamental upper border. Pictured in: "G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné" by Janine Bloch-Dermant (Paris: Les Editions de l''Amateur, 1990), page 196, cat. no. 24.02.
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