A pair of French Art Nouveau "Pommes de Pins" walnut armchairs by Louis Majorelle. The chair backs and seats are upholstered in green fabric. They have carved arms, legs and spindle sides. This model of arm chair was used in the bed chamber of Madam Majorelle. Pictured in: "Majorelle: Une Aventure Moderne," by Roselyne Bouvier, Paris: La Bibliothèque des Arts, 1991, page 118, plate 120.
A French Art Nouveau carved walnut upholstered armchair, "Aux Pins," by Louis Majorelle. The chair has carved wooden sections depicting pine cones, a recurring motif in Majorelle''s naturalist vocabulary. A similar chair appears in "Majorelle - Nancy: décorations d''intérieurs: meubles, tentures, bronzes, ferronneries" (the 1906 Majorelle catalogue), as Cabinet de Travail "Les Pins", and in "The Paris Salons, 1895-1910, Volume III: Furniture," by Alastair Duncan, Antique Collectors'' Club, Publishers, page 407.
A French Art Nouveau walnut armchair by Louis Majorelle, featuring sinuously curved arms and legs. The top of the chair is decorated with an intricately carved floral motif. It is upholstered in a feather-like pattern fabric in grey, rust and browns.
A French Art Nouveau armchair, by Edouard Colonna, in carved mahogany with green upholstery. A similar chair is pictured in "The Paris Salons, 1895-1910, Volume III: Furniture," by Alastair Duncan, Antique Collectors'' Club, Publishers, page 108.
A pair of Spanish Art Nouveau armchairs with giltwood frames by Joan Busquets. Made for Antonio Gaudi''s Palacio Güell, Barcelona, Joan Busquets crafted much of Gaudi''s furniture. A member of a family that was long involved in the design and manufacture of furniture in Spain, Joan Busquests was a proponent of Art Nouveau and modernism at the turn of the 20th century Spain. Most often associated with the architect and designer Antonio Gaudi and the movement specific to the Catalan region of Barcelona, Busquets''s designs encompass a broader range of European Art Nouveau, particularly those of France and Belgium. His furniture is often reduced in scale, embodies the rococo in an inventive way and uses gilding to enhance and lightened design, as well as to serve as a reflective element. This chair model looks identical to a suite of furniture designed in collaboration with Antonio Gaudi for the Güell Palace, Barcelona that is pictured in situ in a photograph from the palace. These chairs appear to be identical to those pictured. From 1840 on, Joan Busquets produced furniture for numerous distinguished clients in Barcelona, and also supplied the aristocracy in Madrid, Cuba, Puerto Rico and the republics of Central and South America. The leitmotiv of Busquets''s firm was the golden sunflower with sinuous stem (to which must be added other motifs based on flora and fauna, suc
h as lilies, orchids and snails), evident in his furniture designs. Provenance: Pedro Uhart, Paris Allan Stone Gallery, New York (acquired from the above ca. 1986) Exhibited: New York, Allan Stone Gallery, Furniture by Gaudi and Busquets, September 9 - November 26, 1996. New York, Allan Stone Gallery, Nouveau to Modern: Transitions in Art and Design, January 16-March 2, 2013.
A pair of French Art Nouveau "Pommes de Pin" armchairs by Louis Majorelle. The chairs have meticulous carving of pine cones on their arms, legs and backs. They are upholstered in a rich green velour. Similar armchairs are pictured in: "Majorelle - Nancy: décorations d''intérieurs: meubles, tentures, bronzes, ferronnerie"s (the 1906 Majorelle catalogue) (Salon "Pommes de Pins").
A French armchair by Louis Majorelle. This gracefully-proportioned chair has simple linear carvings on its legs. It is upholstered in green velour. A similar chair is pictured in: "The Paris Salons 1895-1915, Vol. III: Furniture," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1996, p. 396.
A pair of upholstered French Art Nouveau walnut armchairs by Louis Majorelle. The chairs have carved arm supports and carved front feet in a vegetal motif. They are upholstered in a sea foam green textured fabric. A similar model is pictured in: Alastair Duncan, "Louis Majorelle: Master of Art Nouveau Design," London, 1991, p. 116 (for the model with a rounded back)
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