A French Antique 18-karat gold and enamel bracelet with turquoise. The bracelet is composed of 4 strands of woven gold rope with clover-shaped enamel and turquoise set slides. The enamel work is designed as Moorish arabesques set with cabochon turquoise. The hanging locket has a similar clover-shaped motif. This piece can be seen as an ancestor of Van Cleef & Arpels''s iconic "Alhambra" jewelry.
An Antique English 18 karat gold, diamond, natural pearl and enamel hinged bracelet by Hunt & Roskell of London. The bracelet features 84 old mine- and rose-cut diamonds that have the approximate total weight of 2.70 carats. The natural pearl center plaque of the bracelet is removable and can be worn as a brooch. The center pearl measures 8.55 mm. with 4 additional pearls that measure 5.9 mm. With original brooch attachments and original signed fitted box. Selected as jewelers and goldsmiths to Her Majesty in the 1840s, Hunt & Roskell of New Bond Street were prominent participants in the Crystal Palace Exhibition of 1851, the first of the competitive international expositions that provided dynamic impetus to creativity and accomplishment in the fine and decorative arts. Their work ran from glamorous (diamond and gem-set tiaras convertible into necklaces) to exotic (bracelets set with rare Indian portrait diamonds), and they were owners for a time of the legendary Hope blue diamond. In keeping with the firm''s tradition of versatility, this chic bracelet, with its creamy natural pearls set off by sparkling antique-cut diamonds, conceals a brooch fitting under the velvet interior of its original morocco leather box.
An English Victorian 18 karat gold bangle bracelet with amethyst, diamonds and pearls. The hinged bangle bracelet centers on a cabochon amethyst with a ribbon of 9 rose-cut diamonds with an approximate total weight of .26 carat. The center cluster is framed by 26 seed pearls. With antique fitted box.
Dimensions: Interior circumference: 6-1/2"; the graduated cuff measures 1-1/4" to 1/4" width.
An Antique 18 karat gold bracelet with turquoise and diamonds. The bracelet has 24 Old Mine-cut diamonds with an approximate total weight of 1.50 carats, 50 rose-cut diamonds with an approximate total weight of .70 carat, and 15 turquoise cabochons. The ''offered'' linking bracelet is detachable and the center panel becomes a pendant. Pictured in Understanding Jewellery, by David Bennett & Daniela Mascetti, Antique Collectors'' Club, 1989, page 185, Plate 247.
An 18 karat gold and diamond bracelet "Fisch Scale" watch by René Boivin.The bombé band designed as a series of articulated "fishscale" links, set with 252 rose-cut diamonds interspersed with old mine, old European, and table-cut diamonds, approximate total weight of 42.25 carats, opening to reveal a circular watch signed Jaeger-Le Coultre.The bracelet is executed in Boivin''s famous fish-scale design, with angled, overlapping tiers of variously cut antique diamonds in a continuous motif concealing a watch. The elegant watch dial is covered by an invisibly hinged panel, creating a continuous elegant and functional design.
A Tiffany Studios New York glass and bronze "Belted Turtleback" table lamp, featuring a large band of iridescent green "Turtleback" tiles against a mottled brick pattern ground, atop a rare Tiffany Studios New York green and red patinated bronze lamp base with pierced Onion Bulb design. "Turtleback" tiles were an early invention of tiffany''s consisting of amber or blue glass and coated with an iridescence. His experiments predated the founding of Tiffany studios and distinguished him as a luminary of glass innovation. For the texture of his turtleback shells, Tiffany was inspired by the Neolithic Egyptian turtle carapace scale rings and bracelets excavated in cyprus. For his Egyptian fete (party) in 1913, Tiffany served turtle along with suckling pig and frog legs. Shade pictured in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, p.131, plate #1434. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors'' Club, 1988, p. 85, plate 330.
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