An Art Nouveau 18 karat gold and plique à jour brooch with diamond, amethysts and pearl by Louis Zorra. The brooch has an old mine-cut diamond with an approximate total weight of .65 carat, 21 round bezel-set amethysts with an approximate total weight of 1.10 carats, and a hanging, enamel-capped pearl. Similar pictured in "Imperishable Beauty Art Nouveau Jewelry", by Yvonne J. Markowitz and Elyse Zorn Karlin, "MFA Publications Museum of Fine Arts", Boston, 2008, pages 8 and 68. "Zorra was possibly born in Italy, working in Paris during the Art Nouveau period)...he moved to Paris from Asti, Italy, and exhibited at the Salon des artistes français, receiving an honorable mention in 1902." Markowitz and Karlin in Imperishable Beauty, pg. 151.
A French Mid-20th Century 18 karat gold bracelet with amethysts. The dimensional link bracelet has 5 square-cut amethysts with an approximate total weight of 2.50 carats. The bracelet is composed of 5 rectangular flexible links connected with 5 amethyst-set oval links.
An English Victorian 18 karat gold bangle bracelet with amethyst, diamonds and pearls. The hinged bangle bracelet centers on a cabochon amethyst with a ribbon of 9 rose-cut diamonds with an approximate total weight of .26 carat. The center cluster is framed by 26 seed pearls. With antique fitted box.
Dimensions: Interior circumference: 6-1/2"; the graduated cuff measures 1-1/4" to 1/4" width.
A pair of Art Deco platinum earrings with diamonds, amethysts and natural pearl tassels. The natural pearl tassel earrings are topped with 4 amethyst beads and 112 Old European-cut diamond-studded roundels that have the approximate total of 1.64 carats. The rich color of the amethyst is offset beautifully in this piece by the luster of the natural pearls, as the architectural heads of the earrings are complemented by the movement of the lower tassels.
An Edwardian diamond and amethyst necklace set in 18 karat white gold. The necklace''s double chain is comprised of a repeating pattern of white gold diamond-studded plaques and cabochon amethysts, while the two central chandelier pendants both feature substantial cabochon amethysts and detailed frames studded with white diamonds. This necklace has 290 rose-cut diamonds that have the approximate total weight of 7.30 carats. The weight of the 2 large amethysts is 29.00 carats and 21.00 carats. With additional 30 oval cabochon amethysts. With documentation of this necklace designed with fire opals made by A.Marx & Co jewelers London
Dimensions: 16-1/2 '''' length, 2-1/2 in pendant drop
An American Retro 14 karat gold brooch with peridots, pink sapphires and amethyst by Raymond Yard. The brooch has 20 mixed cuts peridots with an approximate total weight of 8.00 carats, a 6 mixed cuts pink sapphires with an approximate total weight of 1.80 carats, a cabochon amethyst with an approximate total weight of .50 carats. The brooch is designed in a highly stylized Retro flower motif. Similar pictured in Yard The Life and Magnificent Jewelry of Raymond C. Yard, by Natasha Kuzmanovic, the Vendome Press, 2007, page 221, Plate 316.
An English Victorian 18 karat gold acrostic necklace. The heart charms consist of 161 rose-cut diamonds that have the approximate total weight of 3.20 carats. The center of these charms have 2 emeralds, with amethyst, ruby, sapphire and topaz that have the approximate total weight of .90 carat. Acrostic jewelry, which was immensely popular in the highly sentimental Victorian era, was actually originally introduced to the popular market by the famed French house of Mellerio, who created acrostic jewels for Marie Antoinette. A piece of acrostic jewelry is a piece that includes a series of center stones whose first letter of their common names spells out a word of affection. For example, this necklace, whose charms feature center stones of Diamond, Emerald, Amethyst, Ruby, Emerald (again), Sapphire and Topaz in that order is meant to say "DEAREST." Each of the heart-shaped charms in this particular piece features not only the meaning-filled center stone but also several carats worth of rose-cut diamonds, that encrust their faces.
Dimensions: Necklace 15" length; each charm 1/2" x 1/2".
A set of two of French Art Deco 18 karat gold "lilac-leaf" clip brooches,the larger set with oval-cut green tourmalines, yellow heliodor beryls, yellow-gray beryls and aquamarines, highlighted by a single-cut diamond stem set in platinum, the second set with circular and oval-cut pink tourmalines, pale amethysts, and green tourmalines, both with medium-relief naturalistic modeling, by René Boivin. Executed under the leadership of famed Boivin designer Juliette Moutard, these spectacular pieces are as significant in the history of high jewelry as they are beautiful. These elegant brooches demonstrate the height of Moutard''s particular style: the refined, geometrically-rendered organic shape of the lilac leaf, the sensitive and masterful employment of color gradation, and the interplay of complementary shapes are all hallmarks of Moutard''s work for Boivin. The brooches have oval-cut tourmalines, green and yellow beryl, which together have and approximate total weight of 42.25 carats; aquamarines with an approximate total weight of 17.00 carats; and 30 single-cut diamonds with an approximate total weight of .70 carat. With authenticity report from expert Francoise Cailles. Boivin''s work is a remarkable exception to many of the presiding trends of the 1930s. For one, the house eschewed the stark, monotonous, and highly geometric Art Deco stye. While other firms continued
to churn out architecturally clean designs in diamond and platinum, Boivin maintained their commitment to celebrating color and the organic forms of the natural world. Also notable, and unusual for the time, is that Boivin was an all-female led firm. After the premature death of René Boivin in 1917, the firm would be led until its dissolution by his widow, Jeanne Boivin, and a host of brilliant female designers, among them Suzanne Belperron, Juliette Moutard and Germaine Boivin,
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