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French Art Nouveau Tray and Inkwell by Flamand

A French Art Nouveau gilt bronze tray and inkwell by Georges Flamand, with a woman''s face set in leaves with powder blue turquoise cabochon decorations. The inkwell is shaped like a flower. It is titled "Inspiration at Dawn." Pictured in: "Dynamic Beauty: Sculpture of Art Nouveau Paris", by Macklowe Gallery, The Studley Press, 2011, p. 128.

French Art Nouveau Tray and Inkwell by Flamand

Marcus & Co. Art Nouveau Opal and Gold Stick Pin

An American Art Nouveau 18 karat gold stick pin with enameling and black opal by Marcus & Co. The stick pin has a cabochon opal surrounded with four enamel side sections decorated with gold relief arabesque designs. The multi-generational New York firm of Marcus & Co was founded by an ambitious young German immigrant who had trained at a prominent Dresden court jeweler. In 1892, after working with Charles Lewis Tiffany, Hermann Marcus and his sons William and George together set up a business that soon became a glittering New York society institution renowned not only for its superb diamonds, colored stones and pearls, but also its instantly recognizable, original design style. The firm produced great jewels in the Art Nouveau and Arts & Crafts sensibility, with George, the artist/designer, drawing inspiration from sources as diverse and exotic as the contemporary French masters, the Moghuls and Maharajahs, the garland style of the Ancien Regime, and the genius of Renaissance goldsmiths. George''s distinctive, confident hand was always discernible in Marcus creations. Working as a team with George, his brother William was a gem and pearl connoisseur who travelled the world hunting fine gem material, including purchasing the entire production of never-before-seen black opal in Lightning Ridge Australia in 1908. Marcus exhibited at the 1900 Exposition Universelle in Paris, and ... their work won prizes at the prestigious Society of Arts & Crafts of Boston. The firm and family were well-known for their charitable activities and promotion of young jewelers such as Raymond Yard.

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Marcus & Co. Art Nouveau Opal and Gold Stick Pin

Bronze Nude lighted Sconce on Marquetry Easel by Georges Flamand

A French Art Nouveau bronze draped female nude in the form of a two-light sconce by Georges Flamand. The draped maiden, in a two-color patina, is supporting two lighting elements mounted on a wooden marquetry easel with a floral and thistle motif.

Bronze Nude lighted Sconce on Marquetry Easel by Georges Flamand

Marcus & Company Art Nouveau Peridot, Diamond, Gold and Enamel Ring

An American Art Nouveau gold, peridot, diamond and enamel ring by Marcus & Co. The unique Renaissance Revival motif features green enameled 18-karat gold, two round-cut peridots totaling approximately 1.60 carats, and 30 round-cut diamonds that weigh approximately 1.20 carats. The Renaissance Revival design influence is carried onto the ring shank, culminating in a diamond set into the ring shank bottom. This striking ring demonstrates the color sensitivity of the famed American firm, Marcus & Co. It is also a rare and interesting Art Nouveau example of a Toi et Moi ring, or a ring in which two stones or two types of stones dynamically cross over each other symbolically representing a romantic union. The Toi et Moi rings were popularized by no less than Napoleon Bonaparte when he scandalously proposed to his soon to be Empress, Josephine. The multi-generational New York firm of Marcus & Co was founded by an ambitious young German immigrant who had trained at a prominent Dresden court jeweler. In 1892, after working with Charles Lewis Tiffany, Hermann Marcus and his sons William and George together set up a business that soon became a glittering New York society institution renowned not only for its superb diamonds, colored stones and pearls, but also its instantly recognizable, original design style. The firm produced great jewels in the Art Nouveau and Arts & Crafts s ... ensibility, with George, the artist/designer, drawing inspiration from sources as diverse and exotic as the contemporary French masters, the Moghuls and Maharajahs, the garland style of the Ancien Regime, and the genius of Renaissance goldsmiths. George''s distinctive, confident hand was always discernible in Marcus creations. Working as a team with George, his brother William was a gem and pearl connoisseur who travelled the world hunting fine gem material, including purchasing the entire production of never-before-seen black opal in Lightning Ridge Australia in 1908. Marcus exhibited at the 1900 Exposition Universelle in Paris, and their work won prizes at the prestigious Society of Arts & Crafts of Boston. The firm and family were well-known for their charitable activities and promotion of young jewelers such as Raymond Yard.

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Marcus & Company Art Nouveau Peridot,  Diamond, Gold and Enamel Ring

Ostertag Paris Art Deco Diamond and Platinum Double Clip Brooch

A French Art Deco platinum double clip brooch with diamonds by Ostertag. The double clip brooch has 182 round and baguette-cut diamonds with an approximate total weight of 9.50 carats, G/H/I color, VS/SI clarity. Original bill of sale from M.S.Arnold Ostertag. The clips are designed in a stylized wing motif. Signed box, ''Paris Arnold Ostertag''. The firm of Ostertag, founded in the 1920''s by Swiss-born, Arnold Ostertag (1883 – c.1940) is said to have created objects that rivaled the creations of the more celebrated houses of Cartier, Van Cleef & Arpels, and Boucheron. The Ostertag Maison was located in Paris, at number 16 Place Vendôme, near other important jewelry houses of the day. During the 1920s and 1930s, Ostertag was especially known for jewelry and objets d''art based on Asian and Indian designs. One style, known as Tutti Frutti, popular from the early 1920s to the late 1930s, combined influences from Islamic religious architecture and so-called Hindu or Indian styles. Emeralds, carved rubies, and sapphires – often imported from worldwide locations – were interspersed with diamonds. The jewels were crafted into unique pieces using the highest known techniques of the day and arranged into flowers and leaves, studded with berries and fruit. Many of the creations were purchased by an elite clientele that ranged from empresses, kings, and dukes to celebrities. Ostert ... ag was among the renowned Parisian jewelers, led by Cartier and Mauboussin, that were invited to commission masterpieces in collaboration with other respected and well-known jewelry and timepiece houses of the day. Ostertag''s objets d''art and decorative clocks made by the revered clockmaker, George Verger, are jeweled works of art. In 1929 Ostertag exhibited jewelry and objets d''art at the Musée Galliera. Ostertag''s Paris shop continued until late 1939, when he left for America, where he died around 1940. His biographers, Proddow and Healy, write that Ostertag regularly visited America in years between World Wars I and II. They write that he would come to New York in mid-October, spend two months in Los Angeles, then visit Florida, and return to Paris via Cannes at Easter. After two months in Paris, he spent July in Deauville, August in the south of France, and September in Biarritz. At the onset of World War II, Maison Ostertag closed its doors forever. Discussed in Art Deco Jewelry by Sylvie Raulet, Rizzoli, 1985.

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Ostertag Paris Art Deco Diamond and Platinum Double Clip Brooch

Marcus & Co. Early-20th Century Diamond, Natural Pearl, Platinum and Gold Ring

An American Early 20th Century platinum and 18 karat gold ring with diamonds and natural pearl by Marcus & Co. The ring has 3 old mine-cut diamonds with an approximate weight of 1.25, 1.35 and 1.05 carats, L/M color, SI clarity respectively, and 10 old European-cut diamonds with an approximate total weight of .10 carat. The center of this ring is a natural pearl measuring 7.91 x 7.86 mm. Gemological Institute of America Certificate stating natural saltwater pearl #2155277139. The multi-generational New York firm of Marcus & Co was founded by an ambitious young German immigrant who had trained at a prominent Dresden court jeweler. In 1892, after working with Charles Lewis Tiffany, Hermann Marcus and his sons William and George together set up a business that soon became a glittering New York society institution renowned not only for its superb diamonds, colored stones and pearls, but also its instantly recognizable, original design style. The firm produced great jewels in the Art Nouveau and Arts & Crafts sensibility, with George, the artist/designer, drawing inspiration from sources as diverse and exotic as the contemporary French masters, the Moghuls and Maharajahs, the garland style of the Ancien Regime, and the genius of Renaissance goldsmiths. George''s distinctive, confident hand was always discernible in Marcus creations. Working as a team with George, his brother Wil ... liam was a gem and pearl connoisseur who travelled the world hunting fine gem material, including purchasing the entire production of never-before-seen black opal in Lightning Ridge Australia in 1908. Marcus exhibited at the 1900 Exposition Universelle in Paris, and their work won prizes at the prestigious Society of Arts & Crafts of Boston. Plique-a-jour enamel was an art in which Marcus & Co. excelled, creating jewels with unprecedented three-dimensional depth in this medium. The firm and family were well-known for their charitable activities and promotion of young jewelers such as Raymond Yard.

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Marcus & Co. Early-20th Century Diamond, Natural Pearl, Platinum and Gold Ring

Van Cleef & Arpels/Georges Lenfont Diamond and Gold Curb Link Necklace

A French 18 karat gold necklace with diamonds by Van Cleef & Arpels/Georges Lenfont. The necklace has 1400 round cut pave set diamonds with an approximate total weight of 47.00 carats, F/G color, VS clarity. The necklace is composed of 37 graduated curb links.

Van Cleef & Arpels/Georges Lenfont Diamond and Gold Curb Link Necklace

Marsh & Co. Mid-20th Century Jadeite Jade, Diamond, Steel and Platinum Ring

An American Mid-20th Century oxidized steel, platinum, jadeite and diamond ring, by G. T. Marsh & Co. The ring set with a marquise-shape jadeite cabochon, flanked by lines of 8 round diamonds with an approximate total weight of .16 carat. G.T. Marsh & Co. was a San Francisco-based Asian art dealer known for their distinctive jewels. As a boy infatuated with Asian culture, George Turner Marsh apprenticed with a Japanese tea merchant, remaining there alone while his Australian family continued on to San Francisco, where they settled. Young George used his time in Yokohama to become conversant in Japanese art and aesthetics, and after re-joining his family, established an Asian art gallery using the expertise he had acquired. During the 1930s, 40s and 50s, his family began designing jewelry based on their interpretation of masterful Japanese metalwork together with the favored gems of the region, jadeite, coral and pearls. The firm''s unique steel jewelry was produced by bluing and sandblasting techniques, which gave the metal its matte finish, an extraordinary base for its sparkling, gleaming gems.

Marsh & Co. Mid-20th Century Jadeite Jade, Diamond, Steel and Platinum Ring