A French Art Nouveau mahogany side table with carved decoration in an abstract curvilinear vegetal motif by Edouard Colonna (1862-1948). Along with Louis Comfort Tiffany, Edouard Colonna was one of the main designers who worked for Siegfried Bing and who, under Bing''s guidance, was responsible for the creation of what is known today as the Modern Style, or Art Nouveau. Colonna is remembered for his tasteful elegance and his use of abstract forms to create a graceful linear rhythm and dynamic intertwining lines. While he occasionally started with a floral motif, Colonna abstracted nature to create the impression of a flower bud or bloom held within a carefully constructed geometric scheme. This design scheme is evident in the delicate carvings ornamenting each leg of the table and in the overall rhythm of the piece. Colonna furniture, jewelry and designs for small objects like scarf and money holders would become the backbone of Bing''s business. By 1898 a number of his works were on display at Bing''s L''Art Nouveau. A similar table is pictured in: "The Paris Salons 1895-1915, Vol. III: Furniture," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1996, p. 109.
A French Art Nouveau armchair, by Edouard Colonna, in carved mahogany with green upholstery. A similar chair is pictured in "The Paris Salons, 1895-1910, Volume III: Furniture," by Alastair Duncan, Antique Collectors'' Club, Publishers, page 108.
A French Art Nouveau gilt bronze boudoir lamp by Edouard Colonna. The gilt bronze base has a foliate motif. The fringed pale gold silk shade is topped by a twisted vine finial that spreads in an arch over the lamp. A similar lamp is pictured in: "Art Nouveau: The French Aesthetic," by Victor Arwas, London: Andreas Papadakis, 2002, p. 281.
An exceptional French Art Nouveau fruitwood table attributed to Edouard Colonna with a black felt center, flanked by a scalloped decoration of vegetal carvings. The slightly curved legs adorn a rich decor of flowers and plants in relief. Colonna is remembered for his tasteful elegance and his use of abstract forms to create a graceful linear rhythm and dynamic intertwining lines. While he occasionally started with a floral motif, Colonna abstracted nature to create the impression of a flower bud or bloom held within a carefully constructed geometric scheme. This design scheme is evident in the delicate carvings ornamenting each leg of the table and in the overall rhythm of the piece. A similar table is pictured in: "The Paris Salons 1895-1915, Vol. III: Furniture," by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors'' Club, 1996, p. 108.
A French Art Nouveau 18 karat gold pendant locket with mother-of-pearl and diamond. The oval pendant locket designed with baroque mother-of-pearl plaques among swirling seaweed with subtle chased detail, two old mine-cut diamond highlights, approximate total weight 0.16 carats, swiveling open to a locket compartment, suspended from a conforming 14 karat gold chain of oval and circular trace links highlighted by seed pearls (28 inch chain of later manufacture).Note: This work strongly resembles that of Edouard Colonna, a restless, influential, still mysterious Art Nouveau designer, master of a variety of artistic media. His rich and interesting early career was spent in the United States, where he quickly found a position with Louis Comfort Tiffany''s "Associated Artists" interior design firm. While in the U.S. and Canada, Colonna created design books, later viewed as anticipating the decorative language of the Art Nouveau movement. The design volumes drew influences from sources as diverse as broom-corn and other botanical subjects to funerary sculpture from Ravenna. The acme of his career, from 1898-1902, was spent in Paris at L''Art Nouveau Gallery of Siegfried Bing, for whom Colonna designed a salon at the 1900 World Exposition. In a burst of creative energy, Colonna also produced elegant, quietly sensuous jewels integrating highly stylized botanical motifs, which won critical acclaim. Many of the jewels were executed at Bing''s Paris workshop.
We are committed to making this website available to as many people as possible and is engaged in continued efforts to ensure that this website is accessible to those with special needs, including those with visual, hearing, cognitive and motor impairments. Our efforts in that regard are ongoing. Many internet users can find websites difficult to use. We recognize that this is an important issue, and we are working to ensure that this website is accessible to all persons who wish to use it. Our efforts to improve this website in this regard are in process, so if you come across a page or feature you find inaccessible or difficult to use, please send your feedback to firstname.lastname@example.org.