A French ''Lucanes, cerf-volant'' pâte de verre by Amalric Walter and Henri Bergé. This piece features two scarabs atop a raised mound at the center of the dish. The glass of the surrounding dish graduates from opaque fiery ochre to translucent gold. A similar dish is pictured in : Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 24, plate 26.
A French Art Nouveau glass pâte-de-verre tray designed by Henri Bergé and executed by Amalric Walter, featuring yellow, orange and green striations. The tray is adorned with an ocean scene featuring a blue/green crab atop seaweed. A similar tray is pictured in "Almaric Walter (1870-1959)" by Keith Cummings, Kingswinford (UK): Broadfield House Glass Museum, 2006, page 73 plate 113.
A French Art Nouveau glass pâte-de-verre paperweight (press-papiers) designed by A. Finot and executed by Amalric Walter, cast in the form of a female nude with light brown hair reclining on a bed of leaves colored in various tones of yellowish/orange and green. A similar piece, entitled Femme couchée, is pictured in: La pâte de verre, by Nöel Daum, Paris: Edition Denöel, 1984, page 105, plate 129.
A French Art Nouveau wax sculpture, depicting a nude maiden resting her hands on top of her head with an owl at her feet. The piece is signed "H. Vernbet." The graceful body shape and use of the owl leads us to believe that this very well could be a wax model for an Amalric Walter pate-de-verre design.
A French "Crabe" pâte de verre vide-poche by Amalric Walter. The reddish-brown crab has spots of dark green, red and yellow on the top portion of its shell. It sits on a green wave with long strands of seaweed. A similar vide-poche is pictured in: Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 18, cat. no. 15.
A French "Crab" pâte de verre vide-poche by Amalric Walter and Henri Bergé. The reddish-brown crab, with spots of deep yellow and deep green on its back, sits atop a bed of kelp on an elongated green and yellow dish. A similar vide-poche is pictured in: Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 25, cat. no .30.
A French "Langouste" pâte de verre paperweight by Amalric Walter and Henri Bergé. The brown crayfish with red spots straddles a green and yellow curved base. A similar paperweight is pictured in: Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 49, cat. no 77c.
A Tiffany Studios New York "Venetian" glass and bronze desk lamp with geometric and floral motif in yellow, blue, red, and green hues. The lamp features three rows of graduated medallions framed in deep yellow glass. The bottom row has green stylized trees with red accents on blue background. The middle row is geometric yellow and green designs on blue background. The top row has green stylized leaves, also on a blue background. All the leading is gilt. An interesting fact about this lamp is that Venetian lamps when first offered for sale had a list price of $250, while the Wisteria lamps were priced at $400, giving an indication of the importance of this design style. This was stated in the J. Walter Thompson price list of 1906. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970 p.72, plate 104. Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors'' Club, 1988, p. 102, plate 403.
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