A pair of French Mid-20th Century platinum earrings with diamonds. The earrings have 82 round-cut diamonds with an approximate total weight of 4.20 carats, and 48 baguette diamonds with an approximate total weight of 3.00 carats, H/I color, VS clarity. The design of the earrings represents the post war 1950''s ''return to glamour'' style of pendant earrings, reminiscent of rainfalls and cascades with articulated tassels. Similar pictured and discussed in Earrings From Antiquity to the Present, by Daniela Mascetti, Amanda Triossi, Thames & Hudson, 1999, pages 172-175.
A pair of Late-20th Century platinum earrings with diamonds and kunzites by Verdura. The earrings have 104 round-cut diamonds with an approximate total weight of 12.40 carats with a G/H/I color and VS clarity grade. They have two oval kunzite gemstone drops with an approximate total weight of 36.00 carats. The kunzite pendant drops are detachable. The pendants are signed "Verdura". With authenticity certificate from Verdura for the pendants. With signed Verdura box.
A French Art Deco platinum, diamond and emerald sautoir necklace with pendant, by Henri Picq. The chain composed of stepped, arched bombé links joined by twisted bars, highlighted by calibré-cut emeralds, suspending a shaped pendant of conforming design, with millegrain accents. The necklace centers on an emerald-cut diamond with an approximate total weight of 2.50 carats, and baguette, old European-cut and single-cut diamonds with an approximate total weight of 40.00 carats, H/I color, VS. The pendant has 2 emerald-cut emeralds and 44 calibré-cut emeralds with an approximate total weight of 7.70 carats. The pendant is detachable from the twisted design and barrel-shaped links of the necklace. Henri Picq established his jewel workshop in the Marais in 1888, and his superb, exacting work soon caught the attention of the great Parisian jewelers. From 1900 until the late 1920s, Picq manufactured for Cartier, as well as for legendary firms such as La Cloche Frères and Ostertag. According to the jewelry historian Hans Nadelhoffer, the last writer to have unfettered access to the Cartier Archives, Picq was instrumental in developing the platinum for which Cartier became famous, a particular alloy "said to be the best in Paris" which created a "white, shimmering surface" and whose constituents were kept secret from the rest of the trade. Cartier entrusted Picq to work with unu
sual materials and to execute exceptional designs, resulting in some of the firm''s most complex and acclaimed creations. The Picq workshop manufactured the celebrated blackened steel kokoschnik tiara of 1913, modeled on a royal . Cartier also commissioned them to create the enduringly beloved "tutti frutti" jewels of carved colored gems, inspired by the firm''s collaboration with expatriate members of the Indian aristocracy who were among their most devoted patrons. They were manufacturers of the opulent long sautoirs with multiple transformations, such as this example, so popular in the late 1920s. This unsigned period jewel bears Picq''s distinctive French maker''s mark, and represents work of the same exacting standards so prized by their famous clients.Exhibited at "Anything Goes: The Jazz Age" at the Nassau County Museum of Art, 24 March 2018 - 8 July 2018.
A pair of Edwardian platinum earrings with diamonds and freshwater pearls. The earrings have round-cut diamonds and pavé diamonds with an approximate total weight of 2.20 carats, and 28 natural freshwater pearls. The earrings are designed as articulated hoops hanging from diamond-set capitals.
An Edwardian platinum sautoir necklace with diamonds and seed pearls. The necklace is comprised of a chain with five rows of seed pearls, interspersed with complex decorative filigree work and studded with diamonds. It has a hanging pendant encrusted with diamonds, cut with open work and replete will delicate millgraining. The piece has 235 old mine- and rose-cut diamonds with an approximate total weight of 5.50 carats, including the chain. The center of the pendant is one old European-cut diamond with an approximate total weight of .75 carat.
A French Belle Epoque 18 karat gold, platinum, diamond, pearl and Paillet enamel pendant watch necklace. The pendant watch has 26 old European-cut diamonds with an approximate total weight of 1.05 carats, 70 rose-cut diamonds with an approximate total weight of .70 carat, and 28 seed pearls. The back of the pendant has a Paillet enamel depicting putti, Aphrodite with doves in hand and Pandora. It can be counted as an example of the virtuoso enameling Paillet is known for. The platinum chain is composed of 4 diamond-set plaques. Similar pictured in Boucheron Le Joaillier Du Temps, by Gilles Neret, Conti, 1992, pages 49-50.
An 18 karat gold and platinum pendant with diamonds and freshwater pearl. The pendant has 31 old mine-cut diamonds with an approximate total weight of 1.15 carats, and a natural freshwater pearl drop that measures 12mm x 11.6mm x 9.6mm. With an 18 karat white gold chain that is 18 inches long. GIA certificate: Natural freshwater pearl #110205873347
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