Search Results for
"french art nouveau"
A set of four "Les fleurs" French Art Nouveau lithographs by Alphonse Mucha, printed by F. Champenois, Paris. Each lithograph depicts a different flower; carnation, lily, rose & iris. These four separate lithographs are the original series (not one of the later variants). Bibliography: Alphonse Mucha: The Complete Posters and Panels, by Jack Rennert and Alain Weill, Boston: G.K. Hall & Co., 1984, pp. 194-201.
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Artist: Mucha
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| Signed: Mucha |
| Circa: 1898 |
| Dimensions: 42-1/8'' high x 18-1/4'' wide |
| Item #: ML-18253 |
| Price: Price on Request. Call (212) 644-6400 |
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A pair of French Art Nouveau lithographs, "Dawn and Dusk," by Alphonse Mucha. These two panels, both representing reclining female figures, are among the few horizontal formats produced by Mucha. These two ladies represent the terminal points of the sun's daily journey. Dawn is represented by a girl removing the coverlet from her nude torso as she looks towards the rising sun. Dusk is a somnolent beauty settling down in her bed under the last rays of the day. Some of the most delicate pastel shadings are used by Mucha to differentiate one from the other. Pictured in: Alphonse Mucha, The Complete Posters and Panels, by Jack Rennert and Alain Weill, G. K. Hall, 1984, page 258-259, plate 70.
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Artist: Mucha
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| Signed: Mucha |
| Circa: 1899 |
| Dimensions: 21-5/8'' high x 37-1/8'' wide |
| Item #: ML-18442 |
| Price: $45,000 – Call: (212) 644-6400 |
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A French Art Nouveau "Salons des Cent XXeme Exposition" lithograph by Alphonse Mucha. Salon des Cent was the exhibition hall associated with La Plume magazine. This poster was Mucha's introductory gift to La Plume in appreciation for being invited to join the magazine's roster of artists. La Plume eventually sold all of Mucha's posters through their art department and honored him with a one-man show the following year. The languorous woman with long, entwined, curling tresses represents feminine inspiration and ultimately became a symbol for the Art Nouveau movement. The quill and paintbrush she holds in her hand is a direct reference to La Plume-- both the exhibition hall and the magazine. A similar lithograph is described and pictured in: Alphonse Mucha: The Complete Posters and Panels, by Jack Rennert and Alain Weill, Boston: G.K. Hall & Co., 1984, pp. 72-75.
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Artist: Mucha
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| Signed: Mucha and numbered (lower right) |
| Circa: 1896 |
| Dimensions: 24 1/4'' high x 16 3/4'' wide |
| Item #: ML-16859 |
| Price: $42,000 – Call: (212) 644-6400 |
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A French lithograph by Alphonse Mucha advertising La Trappistine. La Trappistine was a liqueur made in Paris, allegedly from a recipe handed down by Trappist monks. Here Mucha depicts a slender young lady in a gracefully draped pose, her head encircled by a halo . The embellishment with the Maltese cross serves to remind us of the religious order involved in the preparation of the beverage. Her hair hangs down in a single thick strand, which leads our eye to the tabouret in the foreground, holding the bottle. A similar lithograph is pictured and discussed in: Alphonse Mucha: The Complete Posters and Panels, by Jack Rennert and Alain Weill, Boston: G.K. Hall & Co., 1984, pp. 134-135.
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Artist: Mucha
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| Signed: Mucha |
| Circa: 1897 |
| Dimensions: 90'' high x 38'' wide |
| Item #: ML-17423 |
| Price: $47,500 – Call: (212) 644-6400 |
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A pair of French 'Byzantine Heads" lithographs by Alphonse Mucha. The mastery evident in creating two archetypes of the female form against a decorative background confirms Mucha's artistic maturity. Both women, portrayed in profile, have their heads decorated with beautiful jewelry, the richness and oriental nature of which suggested the name Byzantine Heads for the series. The subtle differences in details between the paintings are worth noticing. This is the first appearance of the perfect form of Mucha's often-used motif, a circle framing each head interrupted by a strand of hair. With this device, it is as if Mucha's unreachable beauties have broken the magic border between themselves and their admirers and suggest the possibility that they might, perhaps, meet.? (Mucha/Art Nouveau, p. 192). In this version, Mucha added corners filigreed with curves to the original circular designs in order to create the standard rectangular shape of decorative panels. This is the rarest of all variants. Pictured in "Alphonse Mucha, The Complete Posters and Panels, by Jack Rennert and Alain Weill," page 167, cat. 40, variant 1.
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Artist: Mucha
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| Circa: 1897 |
| Dimensions: 20-1/2'' high x 14¼'' wide each |
| Item #: ML-17602 |
| Price: $47,500 – Call: (212) 644-6400 |
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A French bas-relief glass pâte-de-verre plaque by Henri Cros, depicting a mythical dragon or sea creature in hues of pink, against a crystal-like ground. This is an experimental plaque by the originator of the revival of the ancient pâte-de-verre process.
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Artist: Cros
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| Circa: 1890 |
| Dimensions: 8'' high x 4'' wide x 1/8'' deep |
| Item #: P-1345 |
| Price: $1,950 – Call: (212) 644-6400 |
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A French Art Nouveau wheel-carved cameo footed glass vase by Daum. Deep purple flowers are featured against a plum and blue martelé background. Vases with similar decoration are pictured in: "Daum Frères: Maîtres Verriers", 1892-1935, by Katharina Büttiker-Weber, Zurich: Galerie Katharina Büttiker, 1986, cat. nos. 42-44.
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Artist: Daum
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| Signed: Daum Nancy," with Croix de Lorraine |
| Circa: 1900 |
| Dimensions: 8'' high x 4 ¾'' wide |
| Item #: G-14379 |
| Price: $14,500 – Call: (212) 644-6400 |
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A French Art Nouveau silver and plique-à-jour enamel coupe d'ornement by Eugène Feuillâtre. This exceptional compote features delicate and stylized floral patterns on the upper and lower portions. Green leaves encircle the base of the piece and the sinewy stem of the petite cup appears to grow out of the foliage below, and a spray of pink flowers blooms at the top of the compote. Feuillâtre complimented the deeply rooted organic motifs of his quintessentially Art Nouveau compote by adorning the piece with small green enamel buds on the top and bottom of the stem. This compote is particularly remarkable because it is made almost entirely of plique-à-jour enamel. Eugene Feuillâtre (1870-1916) was a sculptor, enamelist, silversmith and jeweler. He worked for Lalique at the end of the 19th century and established his own firm in 1899, specializing in plique-à-jour decorated objects. He also perfected the technique of enameling on silver and platinum. Provenance: the Collection of Joseph R. Ritman. Circa 1900. A nearly identical coupe d'ornement resides in the Musee D'Orsay in Paris.
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Artist: Eugène Feuillâtre
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| Dimensions: 4'' diameter x 6'' high |
| Item #: SI-17219 |
| Price: $45,000 – Call: (212) 644-6400 |
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