A French Art Deco platinum ring with peridot and diamonds by René Boivin. The ring centers on a cushion-cut peridot with an approximate weight of 3.25 carats, surrounded by 60 pavé set round-cut diamonds with an approximate total weight of 3.60 carats. With Certificate of Authenticity from Madame Françoise Cailles, expert for Boivin. René Boivin has been one of the most significant jewelry houses for the best part of a century since its late 19th Century beginnings under its founder Jules René Boivin. The significant legacy is due in no small measure to Jeanne Boivin, who took over her husband''s business after his death in 1917. Rather than wholly embracing the Art Deco trend that engulfed the rest of the French jewelry world in the late 1920s and early 1930s, she was also inspired by the exoticism that was enchanting the likes of Picasso and Paul Gauguin. Remaining close to the design greats such as Sandoz or Fouquet, she added her own feminine eye to the movement''s ideals with the help of Suzanne Belperron from 1921 to 1932. The Boivin house would go on to create many spectacular jewels famously inspired by nature and sea life. A similar ring is pictured in "Rene Boivin Jeweller", by Françoise Cailles, Quartet Books, 1994.
A French 18 karat gold bracelet with pearls, rubies and diamonds by René Boivin. The bracelet has 22 Tahitian and South Sea pearls measuring approximately 10.03 to 8.48 mm, 46 cabochon rubies with an approximate total weight of 7.60 carats, and 26 round diamonds with an approximate total weight of 1.80 carats. A similar bracelet is pictured in René Boivin, by François Cailles, Quartet Books, 1994, page 375.
A pair of French Late-20th Century 18 karat gold earrings with white diamonds and fancy colored diamonds by René Boivin. The textured gold earrings are a wide open tear drop studded with variously-colored fancy diamonds. A large decorative ''X'' of gold and white diamonds encircles the bottom of the earring, making them fully dimensional. The earrings have 118 round brilliant-cut white and fancy color diamonds with an approximate total weight of 9.40 carats.
A set of two of French Art Deco 18 karat gold "lilac-leaf" clip brooches,the larger set with oval-cut green tourmalines, yellow heliodor beryls, yellow-gray beryls and aquamarines, highlighted by a single-cut diamond stem set in platinum, the second set with circular and oval-cut pink tourmalines, pale amethysts, and green tourmalines, both with medium-relief naturalistic modeling, by René Boivin. Executed under the leadership of famed Boivin designer Juliette Moutard, these spectacular pieces are as significant in the history of high jewelry as they are beautiful. These elegant brooches demonstrate the height of Moutard''s particular style: the refined, geometrically-rendered organic shape of the lilac leaf, the sensitive and masterful employment of color gradation, and the interplay of complementary shapes are all hallmarks of Moutard''s work for Boivin. The brooches have oval-cut tourmalines, green and yellow beryl, which together have and approximate total weight of 42.25 carats; aquamarines with an approximate total weight of 17.00 carats; and 30 single-cut diamonds with an approximate total weight of .70 carat. With authenticity report from expert Francoise Cailles. Boivin''s work is a remarkable exception to many of the presiding trends of the 1930s. For one, the house eschewed the stark, monotonous, and highly geometric Art Deco stye. While other firms continued
to churn out architecturally clean designs in diamond and platinum, Boivin maintained their commitment to celebrating color and the organic forms of the natural world. Also notable, and unusual for the time, is that Boivin was an all-female led firm. After the premature death of René Boivin in 1917, the firm would be led until its dissolution by his widow, Jeanne Boivin, and a host of brilliant female designers, among them Suzanne Belperron, Juliette Moutard and Germaine Boivin,
A French 18 karat gold and sapphire "Feuille" clip brooch, by René Boivin, designed by Juliette Moutard. The flexible leaf form set with 31 oval and cushion-cut sapphires, further enhanced by 32 circular-cut sapphires, approximate total weight 124.00 carats. In the 1930s, the creative women at the House of Boivin turned to naturalistic themes, among them flowers and leaves, just as most mainstream jewelers were abandoning such motifs. So often the source of inspiration for her young designers, Madame Boivin brought back armfuls of leaves from her long walks in the forest, and encouraged Juliette to introduce them into her jewelry designs. Typical of Moutard''s eye for color, the sapphires subtly shift in hue and tone, ranging from pale violet and indigo to cornflower blue. Moutard selected and positioned them to reflect the multiple variegations of a natural creation. The sapphire leaf, articulated to move luxuriously, drapes from similarly-toned circular-cut sapphire and gold veins. With certificate of authenticity from Madame Françoise Cailles, dated 2 May 2017, stating that the brooch is the work of the House of René Boivin, designed by Juliette Moutard.
An 18 karat gold and diamond bracelet "Fisch Scale" watch by René Boivin.The bombé band designed as a series of articulated "fishscale" links, set with 252 rose-cut diamonds interspersed with old mine, old European, and table-cut diamonds, approximate total weight of 42.25 carats, opening to reveal a circular watch signed Jaeger-Le Coultre.The bracelet is executed in Boivin''s famous fish-scale design, with angled, overlapping tiers of variously cut antique diamonds in a continuous motif concealing a watch. The elegant watch dial is covered by an invisibly hinged panel, creating a continuous elegant and functional design.
We are committed to making this website available to as many people as possible and is engaged in continued efforts to ensure that this website is accessible to those with special needs, including those with visual, hearing, cognitive and motor impairments. Our efforts in that regard are ongoing. Many internet users can find websites difficult to use. We recognize that this is an important issue, and we are working to ensure that this website is accessible to all persons who wish to use it. Our efforts to improve this website in this regard are in process, so if you come across a page or feature you find inaccessible or difficult to use, please send your feedback to firstname.lastname@example.org.