A French Art Nouveau lighted gilt bronze sculpture by Charles Korschann, depicting a woman holding a bouquet of flowers on a tray with an inkwell on the opposite side.The elegant female form''s bouquet of hydrangeas is wonderfully lit so as to splay dappled light outward. The disproportionate size of the lady in flowing golden robes implying her to be a mythical creature tending to her garden. Pictured in: "Art Nouveau and Art Deco lighting" by Alastair Duncan, page 129 and in "Dynamic Beauty: Sculpture of Art Nouveau Paris" by Macklowe Gallery, The Studley Press, 2011, p. 164.
A French Art Deco pâte-de-verre vase, titled "Primevères" (Primroses) by Gabriel Argy-Rousseau featuring purple and red organic organic decoration in relief agains a multi-colored ground. The vase is further decorated with a purple art deco ornamental upper border. Pictured in: "G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné" by Janine Bloch-Dermant (Paris: Les Editions de l''Amateur, 1990), page 196, cat. no. 24.02.
A Tiffany Studios New York glass "Cypriote" vase, featuring a mottled and multi-textured lava-like finish, with an uneven border. The vase has a dark background with iridescent green, blue, purple and metallic swirls. Cypriote is a textured glass achieved at Tiffany Glass and Decorating Company by rolling glass over a marble or iron surface covered with pulverized bits of the same glass. Its iridescence and bubbles resembled the decomposed surface of Roman glass discovered during archeological explorations on the island of Cyprus, hence its name. Lava glass evolved from Cypriote glass by using thicker, brighter glass and dripping golden glass irregularly over the surface. A similar vase is pictured in: "The Art of Glass: Art Nouveau to Art Deco" by Victor Arwas, London: Andreas Papadakis, 1996, p. 40, plate 50.
A French cameo and enameled glass vase by Emile Gallé. The vase features bleeding heart flowers with stems and leaves wrapped around and cascading down from the neck of the vase. The decoration is intricately enameled in greens, browns, white and red, all set against a vertically ribbed translucent green glass body. The vase is further enhanced with a textured pattern forming a ground for the cameo flowers. The top of the vase culminates in three sections. A similar vase is pictured in: Glass: Art Nouveau to Art Deco, by Victor Arwas, New York: Harry N. Abrams, Inc., 1987, p. 108
A French Art Nouveau cameo glass vase by Daum, featuring a scene of red blooming flowers on an opaque white martelé ground. The flowers, which have dark centers, are suspended from dark curving stems that emerge from dark green carved leaves. Pictured in Glass, Art Nouveau to Art Deco, by Victor Arwass, page 83. Art Nouveau, the French Aesthetic,by Victor Arwas, page 506.
A French Art Nouveau "Poissons dans les vagues" pâte de verre vase by Gabriel Argy-Rousseau. The vase depicts green and blue fish swimming through a clear textured surface over white waves and a deep blue base. A similar vase is featured in Bloch-Dermant, G. Argy-Rousseau, London 1991, cat. rais. 25.15. page 205. Also in Victor Arwas, Art Deco, New York, 1980, p. 266.
A French Art Deco serpent lamp by Edgar Brandt and Daum titled "La Tentation". The lamp features a bronze cobra with a rich golden brown color. The snake is almost completely vertically extended, standing on the lid of a woven basket. Its head supports a mottled sunset-toned glass shade. The snake is made particularly lifelike with low-relief scales, and a realistic, hissing head. It appears as if the serpent would strike if not for the fact that it is made of bronze. Circa 1920-26.A similar lamp is pictured in: Edgar Brandt: Master of Art Deco Ironwork, by Joan Kahr, New York: Harry N. Abrams, Inc., 1999, p. 156, plate 166.Shade signed: "Daum Nancy" with the Cross of Lorraine.Base stamped: "EBrandt".Dimensions: 18-3/4" diameter x 65" high.
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