A French Art Deco platinum, diamond and emerald sautoir necklace with pendant, by Henri Picq. The chain composed of stepped, arched bombé links joined by twisted bars, highlighted by calibré-cut emeralds, suspending a shaped pendant of conforming design, with millegrain accents. The necklace centers on an emerald-cut diamond with an approximate total weight of 2.50 carats, and baguette, old European-cut and single-cut diamonds with an approximate total weight of 40.00 carats, H/I color, VS. The pendant has 2 emerald-cut emeralds and 44 calibré-cut emeralds with an approximate total weight of 7.70 carats. The pendant is detachable from the twisted design and barrel-shaped links of the necklace. Henri Picq established his jewel workshop in the Marais in 1888, and his superb, exacting work soon caught the attention of the great Parisian jewelers. From 1900 until the late 1920s, Picq manufactured for Cartier, as well as for legendary firms such as La Cloche Frères and Ostertag. According to the jewelry historian Hans Nadelhoffer, the last writer to have unfettered access to the Cartier Archives, Picq was instrumental in developing the platinum for which Cartier became famous, a particular alloy "said to be the best in Paris" which created a "white, shimmering surface" and whose constituents were kept secret from the rest of the trade. Cartier entrusted Picq to work with unu
sual materials and to execute exceptional designs, resulting in some of the firm''s most complex and acclaimed creations. The Picq workshop manufactured the celebrated blackened steel kokoschnik tiara of 1913, modeled on a royal . Cartier also commissioned them to create the enduringly beloved "tutti frutti" jewels of carved colored gems, inspired by the firm''s collaboration with expatriate members of the Indian aristocracy who were among their most devoted patrons. They were manufacturers of the opulent long sautoirs with multiple transformations, such as this example, so popular in the late 1920s. This unsigned period jewel bears Picq''s distinctive French maker''s mark, and represents work of the same exacting standards so prized by their famous clients.Exhibited at "Anything Goes: The Jazz Age" at the Nassau County Museum of Art, 24 March 2018 - 8 July 2018.
A platinum Art Deco lavalier necklace with diamonds and pearls. The lavalier pendant and tapered plaques have 117 round old European-cut diamonds with an approximate total weight of 3.00 carats and 2 natural saltwater pearls which hang from the diamond set plaques designed in a classic Art Deco motif. The natural white pearl measures 10.1 x 9.4 mm and the dark gray natural pearl measures 8.8 x 8.6 mm. The necklace has 376 seed pearls connected with a platinum chain weave. Gemological Institute of America report #6173345278.
An Edwardian diamond and amethyst necklace set in 18 karat white gold. The necklace''s double chain is comprised of a repeating pattern of white gold diamond-studded plaques and cabochon amethysts, while the two central chandelier pendants both feature substantial cabochon amethysts and detailed frames studded with white diamonds. This necklace has 290 rose-cut diamonds that have the approximate total weight of 7.30 carats. The weight of the 2 large amethysts is 29.00 carats and 21.00 carats. With additional 30 oval cabochon amethysts. With documentation of this necklace designed with fire opals made by A.Marx & Co jewelers London
Dimensions: 16-1/2 '''' length, 2-1/2 in pendant drop
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