Page 1 of 2 NEXT >>         View All
Search Results for

"John"

Related Articles

Tiffany Studios New York "Tel el Amarna" Glass Pedestal Vase

A Tiffany Studios New York Art Nouveau Favrile glass pedestal vase. Iridescent sepia body with iridescent gold shoulders featuring a sage-green and beige ''Tel el Armana" motif. A similar vase is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, p. 160.

Tiffany Studios New York 'Tel el Amarna' Glass Pedestal Vase

Glass "Paperweight" Tiffany Vase

A Tiffany Studios New York Art Nouveau ''paperweight'' glass vase. White blossoms with pink millefiori florets sprinkled throughout a green pulled-leaf motif, all featured on a clear background. The paperweight technique involved fusing thin rods of transparent glass in a variety of colors. The resulting thicker rod was cut into thin pieces and were then worked into clear glass. A vase with similar decoration is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, p. 158.

Glass 'Paperweight' Tiffany Vase

Tiffany Favrile Paperweight "Daffodil" Vase

A Tiffany Studios New York Favrile paperweight glass "Daffodil" vase, featuring yellow flowers with dark centers extending above green leaves. The paperweight technique involved fusing thin rods of transparent glass in a variety of colors. The resulting thicker rod was but into thin pieces and were then worked into clear glass. A vase with similar decoration is pictured in: "Louis Comfort Tiffany at Tiffany & Co.", by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.

Tiffany Favrile Paperweight 'Daffodil' Vase

Tiffany Studios New York "Paperweight" Vase

A Tiffany Studios New York "Paperweight" glass vase, featuring yellow daffodils with green stems. The paperweight technique involved fusing thin rods of transparent glass in a variety of colors. The resulting thicker rod was cut into thin pieces that were then worked into clear glass. A similar vase is pictured in: "Louis Comfort Tiffany at Tiffany & Co." by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.

Tiffany Studios New York  'Paperweight' Vase

Glass "Paperweight" Tiffany Vase

A Tiffany Studios New York favrile glass "paperweight" vase, depicting a band of white daisies with green leaves. The paperweight technique involved fusing thin rods of transparent glass in a variety of colors. The resulting thicker rod was cut into thin pieces and were then worked into clear glass. A similar vase is pictured in: "Louis Comfort Tiffany at Tiffany & Co.", by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.

Glass 'Paperweight' Tiffany Vase

Tiffany Morning Glory Paperweight Vase

A Tiffany Studios New York "Paperweight" vase by Louis Comfort Tiffany. A major innovation in Tiffany''s work around 1900 involved the encasement of hot glass with an additional transparent layer--a technique associated with paperweights. The added layer of clear glass produced a three-dimensional effect, as though the plants existed in a lower level, beneath the surface. Most of Tiffany''s early "Paperweight" vases had a clear body with a gold iridescent core, adding to the poetic effect. This particular vase displays purple and white cream morning glories with green veined leaves and stems against an iridescent translucent light green hued ground. The difficulty of creating naturalistic imagery in hot glass should not be underestimated. The detailed representation of the morning glory blossoms with their star-like markings makes this vase highly desirable. A vase with similar decoration is pictured in: Louis C. Tiffany: Artist for the Ages, by Marilynn A. Johnson, London: Scala Publishers, Ltd., 2005, p. 150, ca. not. 56; The Art Glass of Louis Comfort Tiffany, by Paul E. Doros, New York: The Vendome Press, 2013, p. 140, fig. 89; and in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, page 163.

Tiffany Morning Glory Paperweight Vase

Tiffany Studios Scarab and Mosaic Box

A Tiffany Studios New York "Scarab" mosaic and gilt bronze covered box by Louis Comfort Tiffany. This round box is decorated with vivid mosaics of red, yellow, orange, green, turquoise blue and black. The cover has three applied favrile glass scarab beetles. The scarabs confirm Tiffany''s fascination for Egyptian archeological discoveries and are a fine expression of his inspiration. Louis Comfort Tiffany first traveled to Egypt in 1872, two years after the opening of the Suez Canal and nearing the height of the ensuing American "Eyptomania." Tiffany was immediately taken with the ancient cultural legacies and starkly exotic landscape of 19th Century Egypt, and upon his return to New York he devoted himself to the rendering of several large scale oil paintings depicting the landscape, ancient wonders and then modern architecture of Cairo and the surrounding area. From that point onward the aesthetic language of ancient Egypt was never far from Tiffany''s mind, and it would appear in various motif forms in various works, for the rest of his artistic career. Those works that demonstrate Tiffany''s great passion and careful study of ancient Egypt are now considered among the rarest and most collectible of his oeuvre. After a second Nile River Cruise in 1908 Tiffany resolved to celebrate his long enchantment with all things Egyptian with a Fete that would be written about for d ... ecades to come. Invitations to the strictly Egyptian themed evening were on aged parchment in both hieroglyphs and English, and hand delivered to each of the bash''s 400 guests. Each of the attendees had to submit their costumes to a strict guidelines of authenticity by a committee comprised of Egyptologists and authorities on costume art. Egyptian inspired music, composed by Theodore Steinway was performed by the New York Philharmonic Orchestra as Pedro de Cordoba playing Marc Antony brought gifts of Favrile glass to a posing Cleopatra. Tiffany''s son-in-laws were dressed as Roman lictors, while his daughters were adorned with rare scarab objects from Tiffany''s personal collection fashioned as jewelry. Robert De Forest, the famed president of the Metropolitan Museum of American Art, arrived as the Maharaj of Punjab, John D. Rockefeller attended dressed as a pharaoh and Egyptian beauty queens wearing gigantic scarab wings served them North African fare. Tiffany spared no detail and no expense to recreate the opulence of ancient Egyptian courts, and created many decorative arts especially for the occasion. Tiffany was particularly interested in the importance of the scarab beetle in Egyptian mythology, and sparingly employed decorative depictions of the insect in his works, most probably due to his understanding of the supreme and sacred nature of the motif. However, those works that did include scarabs executed in the ancient Egyptian style are considered of special personal importance to Tiffany, and are especially important to find in Tiffany collections. The Egyptian name for the beetle is derived from the verb "to be created" or "to come into the world." The Egyptians considered the beetle to be the incarnation of the creator god, who had regenerated himself cyclically. The beetle was thus understood as a potent symbol of rebirth, and was tied to understandings of the daily rising sun.

< View More >
Tiffany Studios Scarab and Mosaic Box

Bronze Humidor by Tiffany Studios New York

A patinated bronze humidor by Tiffany Studios New York with cedar lining and interior cover with bronze knob. The top edge of the humidor is decorated with stylized flowers. The body has textured bumps all around. The top of the humidor has a sculpted design reminiscent of a volcanic crater. A similar humidor is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors'' Club, 1988, p. 450, plate 1793; and in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, p. 238.

Bronze Humidor by Tiffany Studios New York