A French Art Deco platinum bracelet with diamonds by Okrant et Davidonniez. The flexible open work bracelet has 512 European-cut diamonds with an approximate total weight of 38.00 carats, 2 larger diamonds with an approximate total weight of 2.00 carats, and 2 smaller flanking diamonds with an approximate total weight of 1.00 carat, VS clarity, G/H/I color grade. With original box. The Okrant et Davidonniez workshop was located in Paris at 64 rue Lafayette. They produced jewelry for all the Place Vendôme fine jewelry houses, such as Van Cleef & Arpels, Cartier, Mauboussin, and Boucheron. The firm closed in 1939. Exhibited at "Anything Goes: The Jazz Age" at the Nassau County Museum of Art, 24 March 2018 - 8 July 2018. Similar bracelets are pictured in Art Deco Jewelry, by Sylvie Raulet, Rizzoli, 1984, page 84, 154.
A French Art Deco platinum double clip brooch with diamonds by Ostertag. The double clip brooch has 182 round and baguette-cut diamonds with an approximate total weight of 9.50 carats, G/H/I color, VS/SI clarity. Original bill of sale from M.S.Arnold Ostertag. The clips are designed in a stylized wing motif. Signed box, ''Paris Arnold Ostertag''. The firm of Ostertag, founded in the 1920''s by Swiss-born, Arnold Ostertag (1883 – c.1940) is said to have created objects that rivaled the creations of the more celebrated houses of Cartier, Van Cleef & Arpels, and Boucheron. The Ostertag Maison was located in Paris, at number 16 Place Vendôme, near other important jewelry houses of the day.During the 1920s and 1930s, Ostertag was especially known for jewelry and objets d''art based on Asian and Indian designs. One style, known as Tutti Frutti, popular from the early 1920s to the late 1930s, combined influences from Islamic religious architecture and so-called Hindu or Indian styles. Emeralds, carved rubies, and sapphires – often imported from worldwide locations – were interspersed with diamonds. The jewels were crafted into unique pieces using the highest known techniques of the day and arranged into flowers and leaves, studded with berries and fruit. Many of the creations were purchased by an elite clientele that ranged from empresses, kings, and dukes to celebrities.Ostert
ag was among the renowned Parisian jewelers, led by Cartier and Mauboussin, that were invited to commission masterpieces in collaboration with other respected and well-known jewelry and timepiece houses of the day. Ostertag''s objets d''art and decorative clocks made by the revered clockmaker, George Verger, are jeweled works of art. In 1929 Ostertag exhibited jewelry and objets d''art at the Musée Galliera. Ostertag''s Paris shop continued until late 1939, when he left for America, where he died around 1940.His biographers, Proddow and Healy, write that Ostertag regularly visited America in years between World Wars I and II. They write that he would come to New York in mid-October, spend two months in Los Angeles, then visit Florida, and return to Paris via Cannes at Easter. After two months in Paris, he spent July in Deauville, August in the south of France, and September in Biarritz. At the onset of World War II, Maison Ostertag closed its doors forever. Discussed in Art Deco Jewelry by Sylvie Raulet, Rizzoli, 1985.
A pair of French Mid-20th Century 18 karat gold and platinum brooches with diamonds and lapis lazuli by Cartier. Each ladybug clip/brooch has 6 round-cut diamonds with an approximate total weight of .60 carat which are bezel-set into the carved lapis lazuli wings. With signed Cartier box. Similar pictured in Amazing Cartier, by Nadine Coleno, Flammarion, 2008, page 44-45.
A French late-20th Century 18 karat gold necklace with diamonds by Cartier. The necklace has round and square-cut diamonds with an approximate total weight of 5.50 carats, G/H color, VS clarity, which compose the three diamond-set plaques on the brick chain necklace. The "Trinidad'' diamond necklace. With signed Cartier box and Cartier documentation.
A pair of French platinum earrings with sapphires and diamonds by Cartier. The earrings have 30 pear-shape sapphires with an approximate total weight of 28.00 carats, 42 round-cut and 30 pear-shape diamonds with an approximate total weight of 10.00 carats, G/H color, VS clarity. The articulated drops are detachable. With signed Cartier box.
A Mid-20th Century platinum brooch with diamonds by Cartier designed in a stylized double feather motif. The brooch features 132 round-cut diamonds with an approximate total weight of 5.00 carats, and 48 baguette diamonds with an approximate total weight of 4.00 carats, G/H/I color, VS clarity. With signed Cartier box.
An important French Retro, platinum and 18-karat gold bracelet with diamonds, rubies, and rose quartz by George Verger. The bracelet consists of two facing, rose quartz, multi-ball clusters with bezel-set round cut ruby tops with an approximate total weight of 1.65 carats. The solid pink gold cuff is center-hinged, and the two clusters are accented on the sides by old European-cut diamonds with an approximate total weight of 1.30 carats and calibre-cut rubies with an approximate total weight of 1 carat. The Jacques Verger workshop was a successful, behind the scenes force creating jewels for Boucheron, Cartier, Gübelin, Tiffany, and Van Cleef & Arpels, as well making his own signed pieces, like this bracelet which bears the Verger maker''s marks. Verger is known for his magnificent clocks featuring strongly defined shapes, simple lines and stylized decoration. For the Haute Joaillerie he created the most elaborate fancies of form and color contrast, as we see here in this important gold and platinum bracelet.
A very comprehensive set of French Mid-20th Century 18 karat gold cuff links with interchangeable hard stone bars (batons) by Cartier Paris. The cuff links'' connecting mounts consist of the following: 18 karat yellow gold polished mounts #6864463; 18 karat white gold polished mounts #672759; diamond-set 18 karat yellow gold mounts with 44 round diamonds with an approximate total weight of 1.32 carats, #686073; ruby-set 18 karat yellow gold mounts with 48 round rubies with an approximate total weight of 1.92 carats #641343; 18 karat yellow gold polished mounts with blue enamel #663206; and 18 karat yellow gold polished mounts with green enamel #686049. The interchangeable batons consist of hematite, 18 karat yellow gold ribbed, 18 karat white gold ribbed, green chrysophrase, coral, amber, malachite, wood, rock crystal, 18 karat yellow polished gold, 18 karat white polished gold, lapis lazuli, turquoise and onyx. With original Cartier signed fitted epi leather boxes and travel boxes. "Classic motifs--the button, the baton, the coin appeal to designers of every era because of their proportions, simplicity, and ease of use." Susan Jonas and Marilyn Nissenson in Cuff Links. Discussed and similar pictured in Cuff Links, by Susan Jonas and Marilyn Nissenson, Harry N. Abrams, Inc. Publishers, New York, 1991, page 91-92. Circa 1960''s. Signed, "Cartier" "016598" French control marks.
We are committed to making this website available to as many people as possible and is engaged in continued efforts to ensure that this website is accessible to those with special needs, including those with visual, hearing, cognitive and motor impairments. Our efforts in that regard are ongoing. Many internet users can find websites difficult to use. We recognize that this is an important issue, and we are working to ensure that this website is accessible to all persons who wish to use it. Our efforts to improve this website in this regard are in process, so if you come across a page or feature you find inaccessible or difficult to use, please send your feedback to email@example.com.